SIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII

The contents of this thesis concern the existence of ornament Kumudawati at singup Pendhapa Ageng Mangkunegaran, Surakarta. This thesis attempts to identify, comprehend, and explain: Firtsly, life influence of Mangkunegaran palace before all to concepts think Mangkunegara VII; second, about concept...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Wisnu Adisukma
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2016
Materias:	Fine Arts N
Acceso en línea:	https://doaj.org/article/ece69c7cc74648e0b3f2d4d9b5505a80
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:ece69c7cc74648e0b3f2d4d9b5505a80
record_format	dspace
spelling	oai:doaj.org-article:ece69c7cc74648e0b3f2d4d9b5505a802021-11-26T03:25:50ZSIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII1412-41812685-287X10.33153/dewaruci.v6i2.929https://doaj.org/article/ece69c7cc74648e0b3f2d4d9b5505a802016-01-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/929https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XThe contents of this thesis concern the existence of ornament Kumudawati at singup Pendhapa Ageng Mangkunegaran, Surakarta. This thesis attempts to identify, comprehend, and explain: Firtsly, life influence of Mangkunegaran palace before all to concepts think Mangkunegara VII; second, about concepts think Mangkunegara VII in initiative making of ornament kumudawati at singup Pendhapa Ageng Mangkungaran; and third about symbolic meaning consisting barbed in ornament kumudawati with Java culture order. Bearing in mind that culture is an element which influences the existence of ornament kumudawati, an overall understanding of the form, role, and meaning of ornament kumudawati is based on a cultural approach, that is a way of looking at culture as a system. Within this framework, culture is construed as aconcept which is used for analysis and at the same time as a model for study. The problems posed in the research for this thesis placed more emphasis on discovering the process and meaning, and for this reason, the paradigm of approach and strategy of reseach used was qualitative descriptive research. A phenomenological perspective with ethnographical dimensions was used. As such, this research is of an emic nature, as it is based on a means of emphatic understanding or verstehen within the framework of indigenous knowledge which is expressed in the from of â€œthick descriptionâ€. Keywords: simbolism, ornament kumudawati, MangkunegaranWisnu AdisukmaInstitut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 6, Iss 2 (2016)
institution	DOAJ
collection	DOAJ
language	ID
topic	Fine Arts N
spellingShingle	Fine Arts N Wisnu Adisukma SIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII
description	The contents of this thesis concern the existence of ornament Kumudawati at singup Pendhapa Ageng Mangkunegaran, Surakarta. This thesis attempts to identify, comprehend, and explain: Firtsly, life influence of Mangkunegaran palace before all to concepts think Mangkunegara VII; second, about concepts think Mangkunegara VII in initiative making of ornament kumudawati at singup Pendhapa Ageng Mangkungaran; and third about symbolic meaning consisting barbed in ornament kumudawati with Java culture order. Bearing in mind that culture is an element which influences the existence of ornament kumudawati, an overall understanding of the form, role, and meaning of ornament kumudawati is based on a cultural approach, that is a way of looking at culture as a system. Within this framework, culture is construed as aconcept which is used for analysis and at the same time as a model for study. The problems posed in the research for this thesis placed more emphasis on discovering the process and meaning, and for this reason, the paradigm of approach and strategy of reseach used was qualitative descriptive research. A phenomenological perspective with ethnographical dimensions was used. As such, this research is of an emic nature, as it is based on a means of emphatic understanding or verstehen within the framework of indigenous knowledge which is expressed in the from of â€œthick descriptionâ€. Keywords: simbolism, ornament kumudawati, Mangkunegaran
format	article
author	Wisnu Adisukma
author_facet	Wisnu Adisukma
author_sort	Wisnu Adisukma
title	SIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII
title_short	SIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII
title_full	SIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII
title_fullStr	SIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII
title_full_unstemmed	SIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII
title_sort	simbolisme ornamen kumudawati pada singup pendhapa ageng mangkunegaran karya mangkunegara vii
publisher	Institut Seni Indonesia Surakarta
publishDate	2016
url	https://doaj.org/article/ece69c7cc74648e0b3f2d4d9b5505a80
work_keys_str_mv	AT wisnuadisukma simbolismeornamenkumudawatipadasinguppendhapaagengmangkunegarankaryamangkunegaravii
_version_	1718409939177701376

SIMBOLISME ORNAMEN KUMUDAWATI PADA SINGUP PENDHAPA AGENG MANGKUNEGARAN KARYA MANGKUNEGARA VII

Ejemplares similares