“Así nació el Obelisco”: imágenes de una Buenos Aires moderna entre tradición y vanguardias

In Buenos Aires, in the mid 1930s, there was a cultural and building transformation that sparked debates with the intervention of different agents. In those years, for aesthetic and ethical reasons certain artists and intellectuals, imbued with avantgarde ideals, acted as the new men and women who c...

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Autor principal: Sonia Sasiain
Formato: article
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Publicado: Centre de Recherches sur les Mondes Américains 2019
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Acceso en línea:https://doaj.org/article/ed0b9be7bb174ed68a4dd1d245821590
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spelling oai:doaj.org-article:ed0b9be7bb174ed68a4dd1d2458215902021-12-02T10:35:16Z“Así nació el Obelisco”: imágenes de una Buenos Aires moderna entre tradición y vanguardias1626-025210.4000/nuevomundo.77348https://doaj.org/article/ed0b9be7bb174ed68a4dd1d2458215902019-10-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/77348https://doaj.org/toc/1626-0252In Buenos Aires, in the mid 1930s, there was a cultural and building transformation that sparked debates with the intervention of different agents. In those years, for aesthetic and ethical reasons certain artists and intellectuals, imbued with avantgarde ideals, acted as the new men and women who chose to live in modernist houses, as well as producing, distributing and exhibiting images that could – sooner or later – bring the benefits of modernization to these latitudes. From the figures of Horacio Coppola and Grete Stern, and the icon of the Obelisk filmed and photographed by this marriage, this article explores the ways in which the media – in particular, cinema – showed the modernization of a metropolitan Buenos Aires.Sonia SasiainCentre de Recherches sur les Mondes Américainsarticleurban imaginarycinemaavantgardetraditionnew visionAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019)
institution DOAJ
collection DOAJ
language EN
FR
PT
topic urban imaginary
cinema
avantgarde
tradition
new vision
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
spellingShingle urban imaginary
cinema
avantgarde
tradition
new vision
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
Sonia Sasiain
“Así nació el Obelisco”: imágenes de una Buenos Aires moderna entre tradición y vanguardias
description In Buenos Aires, in the mid 1930s, there was a cultural and building transformation that sparked debates with the intervention of different agents. In those years, for aesthetic and ethical reasons certain artists and intellectuals, imbued with avantgarde ideals, acted as the new men and women who chose to live in modernist houses, as well as producing, distributing and exhibiting images that could – sooner or later – bring the benefits of modernization to these latitudes. From the figures of Horacio Coppola and Grete Stern, and the icon of the Obelisk filmed and photographed by this marriage, this article explores the ways in which the media – in particular, cinema – showed the modernization of a metropolitan Buenos Aires.
format article
author Sonia Sasiain
author_facet Sonia Sasiain
author_sort Sonia Sasiain
title “Así nació el Obelisco”: imágenes de una Buenos Aires moderna entre tradición y vanguardias
title_short “Así nació el Obelisco”: imágenes de una Buenos Aires moderna entre tradición y vanguardias
title_full “Así nació el Obelisco”: imágenes de una Buenos Aires moderna entre tradición y vanguardias
title_fullStr “Así nació el Obelisco”: imágenes de una Buenos Aires moderna entre tradición y vanguardias
title_full_unstemmed “Así nació el Obelisco”: imágenes de una Buenos Aires moderna entre tradición y vanguardias
title_sort “así nació el obelisco”: imágenes de una buenos aires moderna entre tradición y vanguardias
publisher Centre de Recherches sur les Mondes Américains
publishDate 2019
url https://doaj.org/article/ed0b9be7bb174ed68a4dd1d245821590
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