Enter Sir Alfred, or Hitchcock’s Three Du Mauriers

The paper first focuses on the three adaptations by Hitchcock of Daphne Du Maurier’s material, Jamaica Inn (1938-39), Rebecca (1939-40) and The Birds (1962-63). It summarizes the very different circumstances of the films’ production, which help explain why Rebecca is much closer to its novelistic so...

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Autor principal: Jean-Loup Bourget
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Publicado: Maison de la Recherche en Sciences Humaines 2021
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Acceso en línea:https://doaj.org/article/ed5d33dab6904a0f8c7416562c64f37d
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spelling oai:doaj.org-article:ed5d33dab6904a0f8c7416562c64f37d2021-12-02T09:54:42ZEnter Sir Alfred, or Hitchcock’s Three Du Mauriers1762-615310.4000/lisa.13412https://doaj.org/article/ed5d33dab6904a0f8c7416562c64f37d2021-11-01T00:00:00Zhttp://journals.openedition.org/lisa/13412https://doaj.org/toc/1762-6153The paper first focuses on the three adaptations by Hitchcock of Daphne Du Maurier’s material, Jamaica Inn (1938-39), Rebecca (1939-40) and The Birds (1962-63). It summarizes the very different circumstances of the films’ production, which help explain why Rebecca is much closer to its novelistic source than the other two and why the writer was happy with Rebecca and dissatisfied with the other two. It then proceeds to a brief examination of the friendly and professional relationship between Hitchcock and Daphne’s father, the stage and occasionally film actor Gerald Du Maurier, and speculates about possible thematic connections between Hitchcock and Daphne’s grandfather George Du Maurier, the illustrator and author of Trilby and Peter Ibbetson. It concludes that the complex network between Hitchcock and three generations of Du Mauriers is evidence of the Hollywood director’s abiding English roots and inspiration.Jean-Loup BourgetMaison de la Recherche en Sciences HumainesarticleHitchcock AlfredJamaica InnRebeccaThe BirdsSir Gerald du MaurierGeorge du MaurierSocial SciencesHENFRRevue LISA, Vol 19 (2021)
institution DOAJ
collection DOAJ
language EN
FR
topic Hitchcock Alfred
Jamaica Inn
Rebecca
The Birds
Sir Gerald du Maurier
George du Maurier
Social Sciences
H
spellingShingle Hitchcock Alfred
Jamaica Inn
Rebecca
The Birds
Sir Gerald du Maurier
George du Maurier
Social Sciences
H
Jean-Loup Bourget
Enter Sir Alfred, or Hitchcock’s Three Du Mauriers
description The paper first focuses on the three adaptations by Hitchcock of Daphne Du Maurier’s material, Jamaica Inn (1938-39), Rebecca (1939-40) and The Birds (1962-63). It summarizes the very different circumstances of the films’ production, which help explain why Rebecca is much closer to its novelistic source than the other two and why the writer was happy with Rebecca and dissatisfied with the other two. It then proceeds to a brief examination of the friendly and professional relationship between Hitchcock and Daphne’s father, the stage and occasionally film actor Gerald Du Maurier, and speculates about possible thematic connections between Hitchcock and Daphne’s grandfather George Du Maurier, the illustrator and author of Trilby and Peter Ibbetson. It concludes that the complex network between Hitchcock and three generations of Du Mauriers is evidence of the Hollywood director’s abiding English roots and inspiration.
format article
author Jean-Loup Bourget
author_facet Jean-Loup Bourget
author_sort Jean-Loup Bourget
title Enter Sir Alfred, or Hitchcock’s Three Du Mauriers
title_short Enter Sir Alfred, or Hitchcock’s Three Du Mauriers
title_full Enter Sir Alfred, or Hitchcock’s Three Du Mauriers
title_fullStr Enter Sir Alfred, or Hitchcock’s Three Du Mauriers
title_full_unstemmed Enter Sir Alfred, or Hitchcock’s Three Du Mauriers
title_sort enter sir alfred, or hitchcock’s three du mauriers
publisher Maison de la Recherche en Sciences Humaines
publishDate 2021
url https://doaj.org/article/ed5d33dab6904a0f8c7416562c64f37d
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