Forms of Expression of Author’s Position in Lermontov’s Poem “Sashka”

The principles of organization of author’s narrative in the ironic poem by M. Yu. Lermontov “Sashka” are examined. In the spotlight - combination of dissimilar poetic forms (stylistic and axiological) genetically ascending to the burlesque in Lermontov’s narrative. The author shows that in the poem...

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Autor principal:	E. V. Golovenkina
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2017
Materias:	«сашка» narrative author irony burlesque ironic poem novel m. yu. lermontov “sashka” Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/edfa56984fe64ec58f0a12885a8f022a
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id	oai:doaj.org-article:edfa56984fe64ec58f0a12885a8f022a
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spelling	oai:doaj.org-article:edfa56984fe64ec58f0a12885a8f022a2021-12-02T07:58:00ZForms of Expression of Author’s Position in Lermontov’s Poem “Sashka”2225-756X2227-129510.24224/2227-1295-2017-6-125-138https://doaj.org/article/edfa56984fe64ec58f0a12885a8f022a2017-06-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/405https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The principles of organization of author’s narrative in the ironic poem by M. Yu. Lermontov “Sashka” are examined. In the spotlight - combination of dissimilar poetic forms (stylistic and axiological) genetically ascending to the burlesque in Lermontov’s narrative. The author shows that in the poem “Sashka” a special intonation of the author’s manner of narration is created, which is characterized by the conspicuous switch from lyricism to irony, the clash of sublimely romantic and domestic, “physiological” or ironic plans, comic and serious, game with the reader, organizing the readers’ perception and stimulating his creative processes. Common in the poem by M. Yu. Lermontov methods of enhancing the artistic imagination of the reader and the organization of the reader’s perception are described, such as reasoning about the rules of narrative and written text; appeal to opinion and personal experience of the reader; mapping of personal experience and judgements of the narrator with the reader’s experience and common assessments; predicting a reader’s response; ironic dramatization of the epic moralizing; plot’s default and omissions. Thus in an ironic poem M. Yu. Lermontov creates the tone of the active author, whose opinion is offered to the reader in motion, in “unfinished” form.E. V. GolovenkinaTsentr nauchnykh i obrazovatelnykh proektovarticle«сашка»narrativeauthorironyburlesqueironic poemnovelm. yu. lermontov“sashka”Slavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 6, Pp 125-138 (2017)
institution	DOAJ
collection	DOAJ
language	RU
topic	«сашка» narrative author irony burlesque ironic poem novel m. yu. lermontov “sashka” Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	«сашка» narrative author irony burlesque ironic poem novel m. yu. lermontov “sashka” Slavic languages. Baltic languages. Albanian languages PG1-9665 E. V. Golovenkina Forms of Expression of Author’s Position in Lermontov’s Poem “Sashka”
description	The principles of organization of author’s narrative in the ironic poem by M. Yu. Lermontov “Sashka” are examined. In the spotlight - combination of dissimilar poetic forms (stylistic and axiological) genetically ascending to the burlesque in Lermontov’s narrative. The author shows that in the poem “Sashka” a special intonation of the author’s manner of narration is created, which is characterized by the conspicuous switch from lyricism to irony, the clash of sublimely romantic and domestic, “physiological” or ironic plans, comic and serious, game with the reader, organizing the readers’ perception and stimulating his creative processes. Common in the poem by M. Yu. Lermontov methods of enhancing the artistic imagination of the reader and the organization of the reader’s perception are described, such as reasoning about the rules of narrative and written text; appeal to opinion and personal experience of the reader; mapping of personal experience and judgements of the narrator with the reader’s experience and common assessments; predicting a reader’s response; ironic dramatization of the epic moralizing; plot’s default and omissions. Thus in an ironic poem M. Yu. Lermontov creates the tone of the active author, whose opinion is offered to the reader in motion, in “unfinished” form.
format	article
author	E. V. Golovenkina
author_facet	E. V. Golovenkina
author_sort	E. V. Golovenkina
title	Forms of Expression of Author’s Position in Lermontov’s Poem “Sashka”
title_short	Forms of Expression of Author’s Position in Lermontov’s Poem “Sashka”
title_full	Forms of Expression of Author’s Position in Lermontov’s Poem “Sashka”
title_fullStr	Forms of Expression of Author’s Position in Lermontov’s Poem “Sashka”
title_full_unstemmed	Forms of Expression of Author’s Position in Lermontov’s Poem “Sashka”
title_sort	forms of expression of author’s position in lermontov’s poem “sashka”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2017
url	https://doaj.org/article/edfa56984fe64ec58f0a12885a8f022a
work_keys_str_mv	AT evgolovenkina formsofexpressionofauthorspositioninlermontovspoemsashka
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Forms of Expression of Author’s Position in Lermontov’s Poem “Sashka”

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