Le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée

The study of a collection of baking detritus and other waste from terracotta lamps from a workshop in Merida prompts a discussion of the modes of circulation of the produce of a lampmaker’s shop in the capital of Roman Lusitania. The chosen group is homogeneous in character, not only in terms of the...

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Autor principal:	Alexandra Dardenay
Formato:	article
Lenguaje:	ES FR
Publicado:	Casa de Velázquez 2005
Materias:	Flavian era Imperial cult Iconography Roman lamps Workshop Culto imperial History of Spain DP1-402 Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/ee33864f954344759681294dd94936b1
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id	oai:doaj.org-article:ee33864f954344759681294dd94936b1
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spelling	oai:doaj.org-article:ee33864f954344759681294dd94936b12021-12-02T10:46:58ZLe rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée0076-230X2173-130610.4000/mcv.2154https://doaj.org/article/ee33864f954344759681294dd94936b12005-11-01T00:00:00Zhttp://journals.openedition.org/mcv/2154https://doaj.org/toc/0076-230Xhttps://doaj.org/toc/2173-1306The study of a collection of baking detritus and other waste from terracotta lamps from a workshop in Merida prompts a discussion of the modes of circulation of the produce of a lampmaker’s shop in the capital of Roman Lusitania. The chosen group is homogeneous in character, not only in terms of the period of production (the Flavian era) but also in terms of the decoration on the lamp’s medallion, which depicts the flight of Aeneas – a motif popular in Roman times because of its political implications regarding the mythical origins of the gens Iulia. Analysis has shown that the product of the Merida workshop was in fact a recreation of a prototype made in Rome in the second half of the First Century AD. The article also examines the question of the limits of the area in which these lamps circulated and finally looks at some hypotheses regarding the relationship between lamps depicting the flight of Aeneas and popular expression of the imperial cult.Alexandra DardenayCasa de VelázquezarticleFlavian eraImperial cultIconographyRoman lampsWorkshopCulto imperialHistory of SpainDP1-402Latin America. Spanish AmericaF1201-3799French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESFRMélanges de la Casa de Velázquez, Vol 35, Iss 2, Pp 161-189 (2005)
institution	DOAJ
collection	DOAJ
language	ES FR
topic	Flavian era Imperial cult Iconography Roman lamps Workshop Culto imperial History of Spain DP1-402 Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	Flavian era Imperial cult Iconography Roman lamps Workshop Culto imperial History of Spain DP1-402 Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Alexandra Dardenay Le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée
description	The study of a collection of baking detritus and other waste from terracotta lamps from a workshop in Merida prompts a discussion of the modes of circulation of the produce of a lampmaker’s shop in the capital of Roman Lusitania. The chosen group is homogeneous in character, not only in terms of the period of production (the Flavian era) but also in terms of the decoration on the lamp’s medallion, which depicts the flight of Aeneas – a motif popular in Roman times because of its political implications regarding the mythical origins of the gens Iulia. Analysis has shown that the product of the Merida workshop was in fact a recreation of a prototype made in Rome in the second half of the First Century AD. The article also examines the question of the limits of the area in which these lamps circulated and finally looks at some hypotheses regarding the relationship between lamps depicting the flight of Aeneas and popular expression of the imperial cult.
format	article
author	Alexandra Dardenay
author_facet	Alexandra Dardenay
author_sort	Alexandra Dardenay
title	Le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée
title_short	Le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée
title_full	Le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée
title_fullStr	Le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée
title_full_unstemmed	Le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée
title_sort	le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’énée
publisher	Casa de Velázquez
publishDate	2005
url	https://doaj.org/article/ee33864f954344759681294dd94936b1
work_keys_str_mv	AT alexandradardenay leroledesateliersdelampesdansladiffusioniconographiquedelafuitedenee
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Le rôle des ateliers de lampes dans la diffusion iconographique de la fuite d’Énée

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