Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke

In the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well...

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Autores principales: E. N. Aznacheeva, O. A. Radchuk
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2019
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Acceso en línea:https://doaj.org/article/eec14c8cdbda4cd1b8efa1faa068f275
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spelling oai:doaj.org-article:eec14c8cdbda4cd1b8efa1faa068f2752021-12-02T07:58:08ZSpatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke2225-756X2227-129510.24224/2227-1295-2019-11-9-22https://doaj.org/article/eec14c8cdbda4cd1b8efa1faa068f2752019-11-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1431https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295In the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well as the features of the functioning of text concepts in the work of R. M. Rilke. The objectives of the study are a layer-by-layer analysis of key artistic concepts in their relevance to the national language code, in identifying the functional characteristics of general cultural and individual-author elements of the concept sphere, in determining the cognitive-stylistic features of the poet’s idiollect. It is shown that the individual-author specifics of the RAUM conceptosphere by R. M. Rilke are distinguishing features of the categorization and specification of the semantics of concepts, whose names are the most common and significant lexemes with spatial semantics in the poet’s work. The significance of the spatial dimension in Rilke's poetry is indicated by the high recurrence of the exponents of the RAUM conceptosphere - the key concepts HAUS, ERDE, HIMMEL, WELTINNENRAUM together with other elements combined with them by synonymous, hyper-hyponymic and associative connection. It is proved that key concepts are a means of expressing personal meanings, the invariant content of which can be defined as the desire to overcome the limitations of earthly existence and to merge with a higher principle.E. N. AznacheevaO. A. RadchukTsentr nauchnykh i obrazovatelnykh proektovarticlecognitive poeticsart conceptconcept spherespaceidiostyleSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 11, Pp 9-22 (2019)
institution DOAJ
collection DOAJ
language RU
topic cognitive poetics
art concept
concept sphere
space
idiostyle
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle cognitive poetics
art concept
concept sphere
space
idiostyle
Slavic languages. Baltic languages. Albanian languages
PG1-9665
E. N. Aznacheeva
O. A. Radchuk
Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
description In the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well as the features of the functioning of text concepts in the work of R. M. Rilke. The objectives of the study are a layer-by-layer analysis of key artistic concepts in their relevance to the national language code, in identifying the functional characteristics of general cultural and individual-author elements of the concept sphere, in determining the cognitive-stylistic features of the poet’s idiollect. It is shown that the individual-author specifics of the RAUM conceptosphere by R. M. Rilke are distinguishing features of the categorization and specification of the semantics of concepts, whose names are the most common and significant lexemes with spatial semantics in the poet’s work. The significance of the spatial dimension in Rilke's poetry is indicated by the high recurrence of the exponents of the RAUM conceptosphere - the key concepts HAUS, ERDE, HIMMEL, WELTINNENRAUM together with other elements combined with them by synonymous, hyper-hyponymic and associative connection. It is proved that key concepts are a means of expressing personal meanings, the invariant content of which can be defined as the desire to overcome the limitations of earthly existence and to merge with a higher principle.
format article
author E. N. Aznacheeva
O. A. Radchuk
author_facet E. N. Aznacheeva
O. A. Radchuk
author_sort E. N. Aznacheeva
title Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_short Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_full Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_fullStr Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_full_unstemmed Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_sort spatial concepts raum, haus, erde, himmel, weltinnenraum in the poetic picture of the world r. m. rilke
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2019
url https://doaj.org/article/eec14c8cdbda4cd1b8efa1faa068f275
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