La médiatisation de lieux interdits de tournage

Banned audiovisual material created by incarcerated amateurs can be shared online on certain social networks. These platforms make it possible to broadcast live videos from anywhere, as long as the person producing the content has an Internet connection. This raises issues regarding the legitimacy o...

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Detalles Bibliográficos
Autores principales:	Chantal Charnet, Bruno Bonu
Formato:	article
Lenguaje:	FR
Publicado:	Université Laval 2021
Materias:	prison videos clandestinity broadcast YouTube Communication. Mass media P87-96
Acceso en línea:	https://doaj.org/article/ef84eb516d244542b69e8926e9de7053
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id	oai:doaj.org-article:ef84eb516d244542b69e8926e9de7053
record_format	dspace
spelling	oai:doaj.org-article:ef84eb516d244542b69e8926e9de70532021-12-02T09:53:29ZLa médiatisation de lieux interdits de tournage1189-37881920-734410.4000/communication.14253https://doaj.org/article/ef84eb516d244542b69e8926e9de70532021-11-01T00:00:00Zhttp://journals.openedition.org/communication/14253https://doaj.org/toc/1189-3788https://doaj.org/toc/1920-7344Banned audiovisual material created by incarcerated amateurs can be shared online on certain social networks. These platforms make it possible to broadcast live videos from anywhere, as long as the person producing the content has an Internet connection. This raises issues regarding the legitimacy of allowing any YouTuber to broadcast their views. In this article, the author investigates the trajectory of a filmed non-fiction document produced in prison and broadcast on YouTube.Chantal CharnetBruno BonuUniversité LavalarticleprisonvideosclandestinitybroadcastYouTubeCommunication. Mass mediaP87-96FRCommunication, Vol 38, Iss 2 (2021)
institution	DOAJ
collection	DOAJ
language	FR
topic	prison videos clandestinity broadcast YouTube Communication. Mass media P87-96
spellingShingle	prison videos clandestinity broadcast YouTube Communication. Mass media P87-96 Chantal Charnet Bruno Bonu La médiatisation de lieux interdits de tournage
description	Banned audiovisual material created by incarcerated amateurs can be shared online on certain social networks. These platforms make it possible to broadcast live videos from anywhere, as long as the person producing the content has an Internet connection. This raises issues regarding the legitimacy of allowing any YouTuber to broadcast their views. In this article, the author investigates the trajectory of a filmed non-fiction document produced in prison and broadcast on YouTube.
format	article
author	Chantal Charnet Bruno Bonu
author_facet	Chantal Charnet Bruno Bonu
author_sort	Chantal Charnet
title	La médiatisation de lieux interdits de tournage
title_short	La médiatisation de lieux interdits de tournage
title_full	La médiatisation de lieux interdits de tournage
title_fullStr	La médiatisation de lieux interdits de tournage
title_full_unstemmed	La médiatisation de lieux interdits de tournage
title_sort	la médiatisation de lieux interdits de tournage
publisher	Université Laval
publishDate	2021
url	https://doaj.org/article/ef84eb516d244542b69e8926e9de7053
work_keys_str_mv	AT chantalcharnet lamediatisationdelieuxinterditsdetournage AT brunobonu lamediatisationdelieuxinterditsdetournage
_version_	1718397981451878400

La médiatisation de lieux interdits de tournage

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