Metamorfoses do cinema brasileiro na era da mundialização neoliberal: em busca de uma identidade estética?
This essay intends to define from a conceptual argument related to underdevelopment, growth, underdeveloped movies, movies of the colonized and of the conqueror, the historical phases of the evolution of the Brazilian movies, arriving to the present phase, of the neoliberal globalization of the...
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| Autor principal: | |
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| Formato: | article |
| Lenguaje: | EN ES PT |
| Publicado: |
Universidad de Sevilla
2006
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/efebf83ccc574adab58c1924e935c9f3 |
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| Sumario: | This essay intends to define from a conceptual argument related to underdevelopment,
growth, underdeveloped movies, movies of the colonized
and of the conqueror, the historical phases of the evolution of the Brazilian
movies, arriving to the present phase, of the neoliberal globalization of the
national economies, and, consequently, of the Brazilian one. I maintain the
idea that, today more than never, the dichotomy between the inside and the
outside of the national economy does not find more sustentation and that with the globalization process, the hegemonic movies had incorporated the
movies of the colonized. The result is a much big resemblance between
world cinemas in what concerns to the utilization of special effects and high
technology. None of the national cinemas, including the Brazilian movies,
succeeds in the foundation of true news esthetics schools. This is the sign of
the present era. |
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