Ai Apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?

The Moche culture (A.D. 200‑800) has left one of the richest iconographies in the history of ancient Andean civilizations. Due to the lack of written sources for the pre‑Hispanic period of Andean South America, the first information about the religious beliefs and rituals of the people from the nor...

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Autor principal: Patrycja Prządka-Giersz
Formato: article
Lenguaje:EN
PL
Publicado: Ksiegarnia Akademicka Publishing 2021
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J
Acceso en línea:https://doaj.org/article/f0da293b6dff41759b1d49f04e8f3fc2
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spelling oai:doaj.org-article:f0da293b6dff41759b1d49f04e8f3fc22021-11-27T13:08:37ZAi Apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?10.12797/Politeja.12.2015.38.021733-67162391-6737https://doaj.org/article/f0da293b6dff41759b1d49f04e8f3fc22021-06-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/2257https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 The Moche culture (A.D. 200‑800) has left one of the richest iconographies in the history of ancient Andean civilizations. Due to the lack of written sources for the pre‑Hispanic period of Andean South America, the first information about the religious beliefs and rituals of the people from the north coast came from early colonial time. These written sources provide revealing information about the concept of the principal god and even a supreme creator in the Moche pantheon, named Ai Apaec in muchic or yunga language. Actually, the understanding of Moche religion is based not only on the historical perspectives but also on information produced during the extensive study of its iconography. Despite the numerous studies about the Moche pantheon of gods and goddesses, the problem of number and identity of the deities still poses innumerable questions and obstacles. This article offers a reassessment of the character of symbolic organizationof Moche religion, based on iconographic analysis of the famous portrait vessels (huacos retrato) from the collection of the Larco Museum in Lima, Peru. Patrycja Prządka-GierszKsiegarnia Akademicka Publishingarticleiconografíaarqueología andinacosta norte del PerúLawKPolitical scienceJENPLPoliteja, Vol 12, Iss 6 (38) (2021)
institution DOAJ
collection DOAJ
language EN
PL
topic iconografía
arqueología andina
costa norte del Perú
Law
K
Political science
J
spellingShingle iconografía
arqueología andina
costa norte del Perú
Law
K
Political science
J
Patrycja Prządka-Giersz
Ai Apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?
description The Moche culture (A.D. 200‑800) has left one of the richest iconographies in the history of ancient Andean civilizations. Due to the lack of written sources for the pre‑Hispanic period of Andean South America, the first information about the religious beliefs and rituals of the people from the north coast came from early colonial time. These written sources provide revealing information about the concept of the principal god and even a supreme creator in the Moche pantheon, named Ai Apaec in muchic or yunga language. Actually, the understanding of Moche religion is based not only on the historical perspectives but also on information produced during the extensive study of its iconography. Despite the numerous studies about the Moche pantheon of gods and goddesses, the problem of number and identity of the deities still poses innumerable questions and obstacles. This article offers a reassessment of the character of symbolic organizationof Moche religion, based on iconographic analysis of the famous portrait vessels (huacos retrato) from the collection of the Larco Museum in Lima, Peru.
format article
author Patrycja Prządka-Giersz
author_facet Patrycja Prządka-Giersz
author_sort Patrycja Prządka-Giersz
title Ai Apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?
title_short Ai Apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?
title_full Ai Apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?
title_fullStr Ai Apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?
title_full_unstemmed Ai Apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?
title_sort ai apaec: ¿una divinidad suprema prehispánica o una manipulación en la traducción intercultural?
publisher Ksiegarnia Akademicka Publishing
publishDate 2021
url https://doaj.org/article/f0da293b6dff41759b1d49f04e8f3fc2
work_keys_str_mv AT patrycjaprzadkagiersz aiapaecunadivinidadsupremaprehispanicaounamanipulacionenlatraduccionintercultural
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