The Author's Biography as the Source of Commentary to F.M. Dostoyevsky's Novel "The Brothers Karamazov"

The article proves that Dostoevsky’s creative method warranted a strong connection between his biography and the underlying meaning of his works. Unless this connection is taken into account, our understanding of Dostoevsky’s works may be incomplete or even mistaken. If we only consider the way Dost...

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Autor principal: Karen A. Stepanyan
Formato: article
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RU
Publicado: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2018
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Acceso en línea:https://doaj.org/article/f0e55680d59947f19daf4afc8005da69
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spelling oai:doaj.org-article:f0e55680d59947f19daf4afc8005da692021-12-02T19:41:12ZThe Author's Biography as the Source of Commentary to F.M. Dostoyevsky's Novel "The Brothers Karamazov"10.22455/2619-0311-2018-3-119-1422619-03112712-8512https://doaj.org/article/f0e55680d59947f19daf4afc8005da692018-11-01T00:00:00Zhttp://dostmirkult.ru/images/DOST_2018-3-INT-121-144.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512The article proves that Dostoevsky’s creative method warranted a strong connection between his biography and the underlying meaning of his works. Unless this connection is taken into account, our understanding of Dostoevsky’s works may be incomplete or even mistaken. If we only consider the way Dostoevsky’s works reflect a staggering variety of external stimuli (literary, artistic, Biblical, philosophical, etc.) usually listed in the commentaries, we may think that Dostoevsky either took an utterly pluralistic stance or engaged in constant self-objections, since he always strove to present every worldview to the fullest possible extent. Yet the personal experiences of the writer who traveled the life path of each of his characters cement the entire work into a unified conceptual statement. However, Dostoevsky never transposed his personal experiences into his works directly and he never entrusted them directly to a particular character. His experiences were always reinterpreted, and it is the stance the author took on a particular experience while writing a novel that allows us to elucidate the authorial idea of the entire work or to properly understand its particular fragment. It applies both to Dostoevsky’s reallife experiences and to his experiences he gained by reading and interpreting those authors who were of crucial importance for him and whose works became elements of his biography (for instance, Belinsky’s correspondence with Gogol and Schiller’s works). This feature of Dostoevsky’s creative method was particularly apparent in his final work, The Brothers Karamazov.Karen A. StepanyanRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticlecreative methodpersonal experiencereinterpretationauthorial ideaschillerrealitySlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 3, Pp 119-142 (2018)
institution DOAJ
collection DOAJ
language EN
RU
topic creative method
personal experience
reinterpretation
authorial idea
schiller
reality
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle creative method
personal experience
reinterpretation
authorial idea
schiller
reality
Slavic languages. Baltic languages. Albanian languages
PG1-9665
Karen A. Stepanyan
The Author's Biography as the Source of Commentary to F.M. Dostoyevsky's Novel "The Brothers Karamazov"
description The article proves that Dostoevsky’s creative method warranted a strong connection between his biography and the underlying meaning of his works. Unless this connection is taken into account, our understanding of Dostoevsky’s works may be incomplete or even mistaken. If we only consider the way Dostoevsky’s works reflect a staggering variety of external stimuli (literary, artistic, Biblical, philosophical, etc.) usually listed in the commentaries, we may think that Dostoevsky either took an utterly pluralistic stance or engaged in constant self-objections, since he always strove to present every worldview to the fullest possible extent. Yet the personal experiences of the writer who traveled the life path of each of his characters cement the entire work into a unified conceptual statement. However, Dostoevsky never transposed his personal experiences into his works directly and he never entrusted them directly to a particular character. His experiences were always reinterpreted, and it is the stance the author took on a particular experience while writing a novel that allows us to elucidate the authorial idea of the entire work or to properly understand its particular fragment. It applies both to Dostoevsky’s reallife experiences and to his experiences he gained by reading and interpreting those authors who were of crucial importance for him and whose works became elements of his biography (for instance, Belinsky’s correspondence with Gogol and Schiller’s works). This feature of Dostoevsky’s creative method was particularly apparent in his final work, The Brothers Karamazov.
format article
author Karen A. Stepanyan
author_facet Karen A. Stepanyan
author_sort Karen A. Stepanyan
title The Author's Biography as the Source of Commentary to F.M. Dostoyevsky's Novel "The Brothers Karamazov"
title_short The Author's Biography as the Source of Commentary to F.M. Dostoyevsky's Novel "The Brothers Karamazov"
title_full The Author's Biography as the Source of Commentary to F.M. Dostoyevsky's Novel "The Brothers Karamazov"
title_fullStr The Author's Biography as the Source of Commentary to F.M. Dostoyevsky's Novel "The Brothers Karamazov"
title_full_unstemmed The Author's Biography as the Source of Commentary to F.M. Dostoyevsky's Novel "The Brothers Karamazov"
title_sort author's biography as the source of commentary to f.m. dostoyevsky's novel "the brothers karamazov"
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate 2018
url https://doaj.org/article/f0e55680d59947f19daf4afc8005da69
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