Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe

Kendall Walton has defined pictorial experience as a visual game of make-believe, which consists in imagining our actual seeing the representational prop to be a fictional face to face seeing the represented subject. To maintain a twofold awareness of these two visual aspects while avoiding a phenom...

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Autor principal: Marco Arienti
Formato: article
Lenguaje:EN
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IT
Publicado: Rosenberg & Sellier 2018
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Acceso en línea:https://doaj.org/article/f10f068350ff426b9548ee629a86d8c7
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Sumario:Kendall Walton has defined pictorial experience as a visual game of make-believe, which consists in imagining our actual seeing the representational prop to be a fictional face to face seeing the represented subject. To maintain a twofold awareness of these two visual aspects while avoiding a phenomenal clash between them, Walton needs to characterise visual make-believe as involving a propositional imagining. Unfortunately, the strategy does not seem to be successful. Whether propositional imagination is taken as a simple descriptive report or as conceptually penetrating our perception, Walton’s account is not able to secure the visual and the twofold character of pictorial recognition.