Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe

Kendall Walton has defined pictorial experience as a visual game of make-believe, which consists in imagining our actual seeing the representational prop to be a fictional face to face seeing the represented subject. To maintain a twofold awareness of these two visual aspects while avoiding a phenom...

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Autor principal: Marco Arienti
Formato: article
Lenguaje:EN
FR
IT
Publicado: Rosenberg & Sellier 2018
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Acceso en línea:https://doaj.org/article/f10f068350ff426b9548ee629a86d8c7
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spelling oai:doaj.org-article:f10f068350ff426b9548ee629a86d8c72021-12-02T10:23:37ZTwofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe10.13128/Phe_Mi-236652280-78532239-4028https://doaj.org/article/f10f068350ff426b9548ee629a86d8c72018-09-01T00:00:00Zhttps://oaj.fupress.net/index.php/pam/article/view/7313https://doaj.org/toc/2280-7853https://doaj.org/toc/2239-4028Kendall Walton has defined pictorial experience as a visual game of make-believe, which consists in imagining our actual seeing the representational prop to be a fictional face to face seeing the represented subject. To maintain a twofold awareness of these two visual aspects while avoiding a phenomenal clash between them, Walton needs to characterise visual make-believe as involving a propositional imagining. Unfortunately, the strategy does not seem to be successful. Whether propositional imagination is taken as a simple descriptive report or as conceptually penetrating our perception, Walton’s account is not able to secure the visual and the twofold character of pictorial recognition.Marco ArientiRosenberg & SellierarticleWaltondepictionmake-believetwofoldnessAestheticsBH1-301EthicsBJ1-1725ENFRITPhenomenology and Mind, Iss 14 (2018)
institution DOAJ
collection DOAJ
language EN
FR
IT
topic Walton
depiction
make-believe
twofoldness
Aesthetics
BH1-301
Ethics
BJ1-1725
spellingShingle Walton
depiction
make-believe
twofoldness
Aesthetics
BH1-301
Ethics
BJ1-1725
Marco Arienti
Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe
description Kendall Walton has defined pictorial experience as a visual game of make-believe, which consists in imagining our actual seeing the representational prop to be a fictional face to face seeing the represented subject. To maintain a twofold awareness of these two visual aspects while avoiding a phenomenal clash between them, Walton needs to characterise visual make-believe as involving a propositional imagining. Unfortunately, the strategy does not seem to be successful. Whether propositional imagination is taken as a simple descriptive report or as conceptually penetrating our perception, Walton’s account is not able to secure the visual and the twofold character of pictorial recognition.
format article
author Marco Arienti
author_facet Marco Arienti
author_sort Marco Arienti
title Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe
title_short Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe
title_full Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe
title_fullStr Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe
title_full_unstemmed Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe
title_sort twofold pictorial experience, propositional imagining and recognitional concepts: a critique of walton’s visual make-believe
publisher Rosenberg & Sellier
publishDate 2018
url https://doaj.org/article/f10f068350ff426b9548ee629a86d8c7
work_keys_str_mv AT marcoarienti twofoldpictorialexperiencepropositionalimaginingandrecognitionalconceptsacritiqueofwaltonsvisualmakebelieve
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