Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams

Tennessee Williams’s lifelong fascination with cinema left marks on his theatre. The use of projections in The Glass Menagerie and the role played by music in many of his plays are cases in point. Yet, the influence of cinema on Williams’s writing goes far beyond the mere transposition of new techno...

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Autor principal:	Sophie Maruéjouls-Koch
Formato:	article
Lenguaje:	EN FR
Publicado:	Association Française d'Etudes Américaines 2015
Materias:	Theatre cinema plastic work Gesamtkunstwerk montage theory synesthesia History America E-F America E11-143
Acceso en línea:	https://doaj.org/article/f1353d8d43c14ce69328f28c3a9757a8
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id	oai:doaj.org-article:f1353d8d43c14ce69328f28c3a9757a8
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spelling	oai:doaj.org-article:f1353d8d43c14ce69328f28c3a9757a82021-12-02T10:15:09ZQuand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams1765-276610.4000/transatlantica.7529https://doaj.org/article/f1353d8d43c14ce69328f28c3a9757a82015-12-01T00:00:00Zhttp://journals.openedition.org/transatlantica/7529https://doaj.org/toc/1765-2766Tennessee Williams’s lifelong fascination with cinema left marks on his theatre. The use of projections in The Glass Menagerie and the role played by music in many of his plays are cases in point. Yet, the influence of cinema on Williams’s writing goes far beyond the mere transposition of new technological devices onto the stage. For cinema brought about new ways of representing the world, thus providing the playwright with the means of escaping from the realist tradition and creating the “new, plastic theatre” he advocated as early as 1944. His autobiographical essays are peppered with references to famous filmmakers who helped him shape his language for the stage. The examination of his most famous play – A Streetcar Named Desire – reveals the influence of Cocteau and Eisenstein’s films and theories, giving us a new insight into Williams’s creative process.Sophie Maruéjouls-KochAssociation Française d'Etudes AméricainesarticleTheatrecinemaplastic workGesamtkunstwerkmontage theorysynesthesiaHistory AmericaE-FAmericaE11-143ENFRTransatlantica : Revue d'Études Américaines, Vol 1 (2015)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	Theatre cinema plastic work Gesamtkunstwerk montage theory synesthesia History America E-F America E11-143
spellingShingle	Theatre cinema plastic work Gesamtkunstwerk montage theory synesthesia History America E-F America E11-143 Sophie Maruéjouls-Koch Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams
description	Tennessee Williams’s lifelong fascination with cinema left marks on his theatre. The use of projections in The Glass Menagerie and the role played by music in many of his plays are cases in point. Yet, the influence of cinema on Williams’s writing goes far beyond the mere transposition of new technological devices onto the stage. For cinema brought about new ways of representing the world, thus providing the playwright with the means of escaping from the realist tradition and creating the “new, plastic theatre” he advocated as early as 1944. His autobiographical essays are peppered with references to famous filmmakers who helped him shape his language for the stage. The examination of his most famous play – A Streetcar Named Desire – reveals the influence of Cocteau and Eisenstein’s films and theories, giving us a new insight into Williams’s creative process.
format	article
author	Sophie Maruéjouls-Koch
author_facet	Sophie Maruéjouls-Koch
author_sort	Sophie Maruéjouls-Koch
title	Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams
title_short	Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams
title_full	Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams
title_fullStr	Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams
title_full_unstemmed	Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams
title_sort	quand le théâtre s’inspire du cinéma : jean cocteau, sergueï eisenstein et tennessee williams
publisher	Association Française d'Etudes Américaines
publishDate	2015
url	https://doaj.org/article/f1353d8d43c14ce69328f28c3a9757a8
work_keys_str_mv	AT sophiemaruejoulskoch quandletheatresinspireducinemajeancocteausergueieisensteinettennesseewilliams
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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams

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