Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715
This article describes the approach taken to interpreting, in a gallery setting, a set of silver with a troubling history: it had been made for use during negotiations of a major eighteenth-century contract for the transportation of enslaved Africans. Two further avenues for interpretation are prese...
Guardado en:
Autor principal: | Max Bryant |
---|---|
Formato: | article |
Lenguaje: | EN |
Publicado: |
Yale University
2021
|
Materias: | |
Acceso en línea: | https://doaj.org/article/f17410f756984154a11d4e948469970a |
Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Ejemplares similares
-
Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds
por: R. Ruthie Dibble, et al.
Publicado: (2021) -
The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art
por: Iris Moon, et al.
Publicado: (2021) -
What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays
por: Iris Moon
Publicado: (2021) -
Serving as Ornament: The Representation of African People in Early Modern British Interiors and Gardens
por: Hannah Lee
Publicado: (2021) -
In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London
por: Ianna Recco
Publicado: (2021)