Lápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español

After traumatic events happen, part of the film industry usually represents facts of that recent past, sometimes through documentaries, sometimes through historical fiction cinema.The proposal of this present work is to make a comparative analysis between the argentine film La noche de los lápices a...

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Autor principal:	Malena Corte
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2014
Materias:	Argentina Spain dictatorship memory historical cinema Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/f1cf00f8b4604c7bb93e8321a33132b4
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spelling	oai:doaj.org-article:f1cf00f8b4604c7bb93e8321a33132b42021-12-02T10:31:31ZLápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español1626-025210.4000/nuevomundo.67436https://doaj.org/article/f1cf00f8b4604c7bb93e8321a33132b42014-11-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/67436https://doaj.org/toc/1626-0252After traumatic events happen, part of the film industry usually represents facts of that recent past, sometimes through documentaries, sometimes through historical fiction cinema.The proposal of this present work is to make a comparative analysis between the argentine film La noche de los lápices and the spanish film Las trece rosas. Our interest is not to utilize these films to compare the presented historical periods (in the first case, the last military dictatorship in Argentina; in the second one, Franco’s dictatorship in Spain), but to observe the way both pictures build a memory about that traumatic dictatorial past.In concrete, we think historical films usually indicate us more about issues concerning the period these films were made in, rather than those concerning the specific moment involved in the representation. The main hypothesis which will guide this work considers that even if both movies represent different historical moments and, at the same time, are made in also different contexts, it is possible to compare them given the fact that they both aim to a memory construction and a past traumatic events representation where the common axis seems to be the representation of the victims in an innocent way, relegating their political identities to a second place.Malena CorteCentre de Recherches sur les Mondes AméricainsarticleArgentinaSpaindictatorshipmemoryhistorical cinemaAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2014)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	Argentina Spain dictatorship memory historical cinema Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	Argentina Spain dictatorship memory historical cinema Anthropology GN1-890 Latin America. Spanish America F1201-3799 Malena Corte Lápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español
description	After traumatic events happen, part of the film industry usually represents facts of that recent past, sometimes through documentaries, sometimes through historical fiction cinema.The proposal of this present work is to make a comparative analysis between the argentine film La noche de los lápices and the spanish film Las trece rosas. Our interest is not to utilize these films to compare the presented historical periods (in the first case, the last military dictatorship in Argentina; in the second one, Franco’s dictatorship in Spain), but to observe the way both pictures build a memory about that traumatic dictatorial past.In concrete, we think historical films usually indicate us more about issues concerning the period these films were made in, rather than those concerning the specific moment involved in the representation. The main hypothesis which will guide this work considers that even if both movies represent different historical moments and, at the same time, are made in also different contexts, it is possible to compare them given the fact that they both aim to a memory construction and a past traumatic events representation where the common axis seems to be the representation of the victims in an innocent way, relegating their political identities to a second place.
format	article
author	Malena Corte
author_facet	Malena Corte
author_sort	Malena Corte
title	Lápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español
title_short	Lápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español
title_full	Lápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español
title_fullStr	Lápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español
title_full_unstemmed	Lápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español
title_sort	lápices y rosas. un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2014
url	https://doaj.org/article/f1cf00f8b4604c7bb93e8321a33132b4
work_keys_str_mv	AT malenacorte lapicesyrosasunanalisiscomparativodedospeliculashistoricassobreelpasadotraumaticoargentinoyespanol
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Lápices y rosas. Un análisis comparativo de dos películas históricas sobre el pasado traumático argentino y español

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