L’objet, le musée et la main interdite
In a museum, the objects are still, trapped. Contrasting with their nomadic existence on the outside —a life of use, movement and change— in the museum they are confined and sedentary the better to be identified and preserved. They can no longer be touched. Nonetheless display in a museum still leav...
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Casa de Velázquez
2010
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oai:doaj.org-article:f1e77a011ccc464280e1f4b55f474e642021-12-02T10:46:52ZL’objet, le musée et la main interdite0076-230X2173-130610.4000/mcv.3363https://doaj.org/article/f1e77a011ccc464280e1f4b55f474e642010-04-01T00:00:00Zhttp://journals.openedition.org/mcv/3363https://doaj.org/toc/0076-230Xhttps://doaj.org/toc/2173-1306In a museum, the objects are still, trapped. Contrasting with their nomadic existence on the outside —a life of use, movement and change— in the museum they are confined and sedentary the better to be identified and preserved. They can no longer be touched. Nonetheless display in a museum still leaves room for transfigurations and inquiries which, beyond the substance and the original purpose of the object, offer it the possibilities of other existences and enhancements of meaning.Joaquim Pais de BritoCasa de VelázquezarticleAnthropology of objectsExhibitionMuseumHistory of SpainDP1-402Latin America. Spanish AmericaF1201-3799French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESFRMélanges de la Casa de Velázquez, Vol 40, Iss 1, Pp 143-145 (2010) |
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DOAJ |
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ES FR |
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Anthropology of objects Exhibition Museum History of Spain DP1-402 Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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Anthropology of objects Exhibition Museum History of Spain DP1-402 Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Joaquim Pais de Brito L’objet, le musée et la main interdite |
description |
In a museum, the objects are still, trapped. Contrasting with their nomadic existence on the outside —a life of use, movement and change— in the museum they are confined and sedentary the better to be identified and preserved. They can no longer be touched. Nonetheless display in a museum still leaves room for transfigurations and inquiries which, beyond the substance and the original purpose of the object, offer it the possibilities of other existences and enhancements of meaning. |
format |
article |
author |
Joaquim Pais de Brito |
author_facet |
Joaquim Pais de Brito |
author_sort |
Joaquim Pais de Brito |
title |
L’objet, le musée et la main interdite |
title_short |
L’objet, le musée et la main interdite |
title_full |
L’objet, le musée et la main interdite |
title_fullStr |
L’objet, le musée et la main interdite |
title_full_unstemmed |
L’objet, le musée et la main interdite |
title_sort |
l’objet, le musée et la main interdite |
publisher |
Casa de Velázquez |
publishDate |
2010 |
url |
https://doaj.org/article/f1e77a011ccc464280e1f4b55f474e64 |
work_keys_str_mv |
AT joaquimpaisdebrito lobjetlemuseeetlamaininterdite |
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1718396740909924352 |