Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)

The issues of interaction between impressionism and symbolism in French and Russian poetry of the late XIX - early XX centuries are considered. In the work of Paul Verlaine, the manifestation of such features of impressionism as the image of the fusion of man and nature (subject and object of the im...

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Autores principales:	A. L. Latukhina, Y. A. Marinina
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2018
Materias:	impressionism symbolism landscape russian literature french literature neorealism poetics musicality sound recording Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/f2a002ec57dd4b2fba31f03cfcaf3b07
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spelling	oai:doaj.org-article:f2a002ec57dd4b2fba31f03cfcaf3b072021-12-02T07:58:04ZPoetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)2225-756X2227-129510.24224/2227-1295-2018-7-177-190https://doaj.org/article/f2a002ec57dd4b2fba31f03cfcaf3b072018-07-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/855https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The issues of interaction between impressionism and symbolism in French and Russian poetry of the late XIX - early XX centuries are considered. In the work of Paul Verlaine, the manifestation of such features of impressionism as the image of the fusion of man and nature (subject and object of the image), attention to the shades of feelings and moods, suggestiveness, synesthesia, musicality is shown. It is proved that, along with these features, mythological allusions, references to other cultural epochs and the desire for universality testify to the symbolist tendencies in his work. The authors come to the conclusion that the combination of impressionism and symbolism is also found in the genre of the “landscape of the soul”, authored by Verlaine. It is noted that M. Voloshin became a follower of Verlaine in Russian poetry. The problem of the influence of French poetry on Russian literature of the early twentieth century, in particular, on the work of M. Voloshin, is studied. The authors consider the theoretical works of the poet himself, in which he comprehends the synthesis of symbolism and impressionism in French literature, defining a new type of artistic consciousness “neo-realism”, and cycles of poems “Cimmerian Twilight” and “Cimmerian Spring”, in which tendencies of symbolic-impressionistic poetics are revealed.A. L. LatukhinaY. A. MarininaTsentr nauchnykh i obrazovatelnykh proektovarticleimpressionismsymbolismlandscaperussian literaturefrench literatureneorealismpoeticsmusicalitysound recordingSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 7, Pp 177-190 (2018)
institution	DOAJ
collection	DOAJ
language	RU
topic	impressionism symbolism landscape russian literature french literature neorealism poetics musicality sound recording Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	impressionism symbolism landscape russian literature french literature neorealism poetics musicality sound recording Slavic languages. Baltic languages. Albanian languages PG1-9665 A. L. Latukhina Y. A. Marinina Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)
description	The issues of interaction between impressionism and symbolism in French and Russian poetry of the late XIX - early XX centuries are considered. In the work of Paul Verlaine, the manifestation of such features of impressionism as the image of the fusion of man and nature (subject and object of the image), attention to the shades of feelings and moods, suggestiveness, synesthesia, musicality is shown. It is proved that, along with these features, mythological allusions, references to other cultural epochs and the desire for universality testify to the symbolist tendencies in his work. The authors come to the conclusion that the combination of impressionism and symbolism is also found in the genre of the “landscape of the soul”, authored by Verlaine. It is noted that M. Voloshin became a follower of Verlaine in Russian poetry. The problem of the influence of French poetry on Russian literature of the early twentieth century, in particular, on the work of M. Voloshin, is studied. The authors consider the theoretical works of the poet himself, in which he comprehends the synthesis of symbolism and impressionism in French literature, defining a new type of artistic consciousness “neo-realism”, and cycles of poems “Cimmerian Twilight” and “Cimmerian Spring”, in which tendencies of symbolic-impressionistic poetics are revealed.
format	article
author	A. L. Latukhina Y. A. Marinina
author_facet	A. L. Latukhina Y. A. Marinina
author_sort	A. L. Latukhina
title	Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)
title_short	Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)
title_full	Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)
title_fullStr	Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)
title_full_unstemmed	Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)
title_sort	poetics of impressionism in the french and russian lyrics of the late xix - early xx centuries (based on the work of p. verlaine and m. voloshin)
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2018
url	https://doaj.org/article/f2a002ec57dd4b2fba31f03cfcaf3b07
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Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin)

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