Na rota dos festivais: uma tradição que se renova
Orality is an advantageous space to the development of research and thinking that aims at altering, or at least re-thinking, theoretical bases that seem quite strong. In this aim, the present article looks at a trajectory established in Northeast Brazil’s improvised singing, more specifically the un...
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Universidade de Brasília
2010
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oai:doaj.org-article:f44c76aca71b498bb9f4bdcf61d6366d2021-11-11T15:52:07ZNa rota dos festivais: uma tradição que se renova1518-01582316-4018https://doaj.org/article/f44c76aca71b498bb9f4bdcf61d6366d2010-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127099013https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018Orality is an advantageous space to the development of research and thinking that aims at altering, or at least re-thinking, theoretical bases that seem quite strong. In this aim, the present article looks at a trajectory established in Northeast Brazil’s improvised singing, more specifically the universe of poetic match, coming from the “pés de parede” (simple matches) to the festivals of guitar players that spread themselves through Northeast Brazil, aiming to realize that cultural contexts gave birth, if not to invention, at least the renewal of a tradition.Andréa Betânia da SilvaUniversidade de Brasíliaarticleimprovised singingoralitycultureFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 35, Pp 183-192 (2010) |
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DOAJ |
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ES PT |
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improvised singing orality culture French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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improvised singing orality culture French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Andréa Betânia da Silva Na rota dos festivais: uma tradição que se renova |
description |
Orality is an advantageous space to the development of research and thinking that aims at altering, or at least re-thinking, theoretical bases that seem quite strong. In this aim, the present article looks at a trajectory established in Northeast Brazil’s improvised singing, more specifically the universe of poetic match, coming from the “pés de parede” (simple matches) to the festivals of guitar players that spread themselves through Northeast Brazil, aiming to realize that cultural contexts gave birth, if not to invention, at least the renewal of a tradition. |
format |
article |
author |
Andréa Betânia da Silva |
author_facet |
Andréa Betânia da Silva |
author_sort |
Andréa Betânia da Silva |
title |
Na rota dos festivais: uma tradição que se renova |
title_short |
Na rota dos festivais: uma tradição que se renova |
title_full |
Na rota dos festivais: uma tradição que se renova |
title_fullStr |
Na rota dos festivais: uma tradição que se renova |
title_full_unstemmed |
Na rota dos festivais: uma tradição que se renova |
title_sort |
na rota dos festivais: uma tradição que se renova |
publisher |
Universidade de Brasília |
publishDate |
2010 |
url |
https://doaj.org/article/f44c76aca71b498bb9f4bdcf61d6366d |
work_keys_str_mv |
AT andreabetaniadasilva narotadosfestivaisumatradicaoqueserenova |
_version_ |
1718433282590244864 |