IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS)

The presented research is devoted to the mapping of Russia and Russians in the Polish historical cinema in the XX – early XXI centuries. The aim of the work is to assess the positioning of Russia and the Russians in Polish historical films. The study is intended to enrich the concept of the essence...

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Autor principal: S. I. Belov
Formato: article
Lenguaje:EN
RU
Publicado: MGIMO University Press 2018
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Acceso en línea:https://doaj.org/article/f4df49d6514f4e40ade4bbb3865089b5
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spelling oai:doaj.org-article:f4df49d6514f4e40ade4bbb3865089b52021-11-23T14:50:41ZIMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS)2071-81602541-909910.24833/2071-8160-2018-4-61-204-218https://doaj.org/article/f4df49d6514f4e40ade4bbb3865089b52018-09-01T00:00:00Zhttps://www.vestnik.mgimo.ru/jour/article/view/798https://doaj.org/toc/2071-8160https://doaj.org/toc/2541-9099The presented research is devoted to the mapping of Russia and Russians in the Polish historical cinema in the XX – early XXI centuries. The aim of the work is to assess the positioning of Russia and the Russians in Polish historical films. The study is intended to enrich the concept of the essence of the politics of memory of Poland and the content of the historical memory of its citizens. Article materials can be used for professional needs by diplomats, journalists, representatives of international public organizations, experts in the field of patriotic education and organization of work with young people. During the collection and processing of the identified array of information, methods such as traditional analysis and expert interviews were used. The conducted researches showed that when creating images of Russia and its inhabitants in the Polish historical cinema, the tendency of negative positioning, determined by the political conjuncture and cultural stereotypes, dominated. For the formation of appropriate images, manipulative practices based on appealing to the sphere of emotions and using symbols with archetypal implication were used. The films of the period before 1939 and the post-Soviet era are related not only to the content, but also the technological side: in both cases, the creators used strategies to create images of someone else’s and phantom enemies, demonization and dehumanization. These techniques were used to reflect not only the Soviet period of Russian history, but also the pre-revolutionary era. Accordingly, not only the Soviet regime, but Russia, acting as the historical, eternal enemy of Poland, was positioned in a negative way.S. I. BelovMGIMO University Pressarticleimage of russiapolitics of memoryhistorical memoryhistorical filmspolandmanipulative methodsInternational relationsJZ2-6530ENRUVestnik MGIMO-Universiteta, Vol 0, Iss 4(61), Pp 204-218 (2018)
institution DOAJ
collection DOAJ
language EN
RU
topic image of russia
politics of memory
historical memory
historical films
poland
manipulative methods
International relations
JZ2-6530
spellingShingle image of russia
politics of memory
historical memory
historical films
poland
manipulative methods
International relations
JZ2-6530
S. I. Belov
IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS)
description The presented research is devoted to the mapping of Russia and Russians in the Polish historical cinema in the XX – early XXI centuries. The aim of the work is to assess the positioning of Russia and the Russians in Polish historical films. The study is intended to enrich the concept of the essence of the politics of memory of Poland and the content of the historical memory of its citizens. Article materials can be used for professional needs by diplomats, journalists, representatives of international public organizations, experts in the field of patriotic education and organization of work with young people. During the collection and processing of the identified array of information, methods such as traditional analysis and expert interviews were used. The conducted researches showed that when creating images of Russia and its inhabitants in the Polish historical cinema, the tendency of negative positioning, determined by the political conjuncture and cultural stereotypes, dominated. For the formation of appropriate images, manipulative practices based on appealing to the sphere of emotions and using symbols with archetypal implication were used. The films of the period before 1939 and the post-Soviet era are related not only to the content, but also the technological side: in both cases, the creators used strategies to create images of someone else’s and phantom enemies, demonization and dehumanization. These techniques were used to reflect not only the Soviet period of Russian history, but also the pre-revolutionary era. Accordingly, not only the Soviet regime, but Russia, acting as the historical, eternal enemy of Poland, was positioned in a negative way.
format article
author S. I. Belov
author_facet S. I. Belov
author_sort S. I. Belov
title IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS)
title_short IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS)
title_full IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS)
title_fullStr IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS)
title_full_unstemmed IMAGE OF RUSSIA AND RUSSIANS IN POLISH HISTORICAL FILMS (ON MATERIALS OF EXPERT INTERVIEWS)
title_sort image of russia and russians in polish historical films (on materials of expert interviews)
publisher MGIMO University Press
publishDate 2018
url https://doaj.org/article/f4df49d6514f4e40ade4bbb3865089b5
work_keys_str_mv AT sibelov imageofrussiaandrussiansinpolishhistoricalfilmsonmaterialsofexpertinterviews
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