In History, the Future: Determinism in the Early History of Photography in France

Technological determinism and media specificity have profoundly shaped the history of photography—two strands of thought inherited from nineteenth century predecessors. Media archaeological approaches—while not always explicitly and perhaps, as Thomas Elsaesser has recently suggested, rather as symp...

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Autor principal:	Emily Doucet
Formato:	article
Lenguaje:	EN
Publicado:	ScholarWorks @ UMass Amherst 2018
Materias:	Language and Literature P Communication. Mass media P87-96
Acceso en línea:	https://doaj.org/article/f5dcd6cbc28041c3b82f4c7125f0ef80
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spelling	oai:doaj.org-article:f5dcd6cbc28041c3b82f4c7125f0ef802021-11-17T15:18:36ZIn History, the Future: Determinism in the Early History of Photography in France10.7275/fvq1-t6142380-6109https://doaj.org/article/f5dcd6cbc28041c3b82f4c7125f0ef802018-10-01T00:00:00Zhttps://scholarworks.umass.edu/cpo/vol7/iss1/4/https://doaj.org/toc/2380-6109Technological determinism and media specificity have profoundly shaped the history of photography—two strands of thought inherited from nineteenth century predecessors. Media archaeological approaches—while not always explicitly and perhaps, as Thomas Elsaesser has recently suggested, rather as symptom—have been taken up in the history of photography in response to long held narratives shaped by a disciplinary media determinism. This article explores discourses of futurity and historicity in early photographic writing in France, examining one thread in the early trajectory of media determinism in the history of photography. Taking up Eric Kluitenberg’s concept of “imaginary media”, this article argues that early photographic discourse employed both historical and future-oriented narratives in order to define photography as a discreet medium. Medium specificity—photography as a unified set of technologies with a shared history and a set of specific aesthetic characteristics—can therefore be understood as one characteristic of the media imaginary. The story of photography’s medium specificity is most often (and not incorrectly) told as a narrative of photography’s acceptance as a fine art form in the late nineteenth and early twentieth centuries. However, this article aruges that a parallel genealogy of photography’s medium specificity can be outlined based upon the construction of photography as a progressive technology with a unified technical history. Building on recent work focusing on future-oriented rhetoric and the technological imagination in nineteenth century photographic discourse, this paper will examine roots of this historiography of photography in Enlightenment thought and Utopian philosophies of technology of the early nineteenth century, asking what photography’s history would look like if photographic hopes, dreams, and failures were given due consideration alongside those objects deemed by the historical canon to represent photographic “success.”Emily DoucetScholarWorks @ UMass AmherstarticleLanguage and LiteraturePCommunication. Mass mediaP87-96ENcommunication +1, Vol 7, Iss 1 (2018)
institution	DOAJ
collection	DOAJ
language	EN
topic	Language and Literature P Communication. Mass media P87-96
spellingShingle	Language and Literature P Communication. Mass media P87-96 Emily Doucet In History, the Future: Determinism in the Early History of Photography in France
description	Technological determinism and media specificity have profoundly shaped the history of photography—two strands of thought inherited from nineteenth century predecessors. Media archaeological approaches—while not always explicitly and perhaps, as Thomas Elsaesser has recently suggested, rather as symptom—have been taken up in the history of photography in response to long held narratives shaped by a disciplinary media determinism. This article explores discourses of futurity and historicity in early photographic writing in France, examining one thread in the early trajectory of media determinism in the history of photography. Taking up Eric Kluitenberg’s concept of “imaginary media”, this article argues that early photographic discourse employed both historical and future-oriented narratives in order to define photography as a discreet medium. Medium specificity—photography as a unified set of technologies with a shared history and a set of specific aesthetic characteristics—can therefore be understood as one characteristic of the media imaginary. The story of photography’s medium specificity is most often (and not incorrectly) told as a narrative of photography’s acceptance as a fine art form in the late nineteenth and early twentieth centuries. However, this article aruges that a parallel genealogy of photography’s medium specificity can be outlined based upon the construction of photography as a progressive technology with a unified technical history. Building on recent work focusing on future-oriented rhetoric and the technological imagination in nineteenth century photographic discourse, this paper will examine roots of this historiography of photography in Enlightenment thought and Utopian philosophies of technology of the early nineteenth century, asking what photography’s history would look like if photographic hopes, dreams, and failures were given due consideration alongside those objects deemed by the historical canon to represent photographic “success.”
format	article
author	Emily Doucet
author_facet	Emily Doucet
author_sort	Emily Doucet
title	In History, the Future: Determinism in the Early History of Photography in France
title_short	In History, the Future: Determinism in the Early History of Photography in France
title_full	In History, the Future: Determinism in the Early History of Photography in France
title_fullStr	In History, the Future: Determinism in the Early History of Photography in France
title_full_unstemmed	In History, the Future: Determinism in the Early History of Photography in France
title_sort	in history, the future: determinism in the early history of photography in france
publisher	ScholarWorks @ UMass Amherst
publishDate	2018
url	https://doaj.org/article/f5dcd6cbc28041c3b82f4c7125f0ef80
work_keys_str_mv	AT emilydoucet inhistorythefuturedeterminismintheearlyhistoryofphotographyinfrance
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In History, the Future: Determinism in the Early History of Photography in France

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