The becoming of the idea of technique in Martin Heidegger
<p>The work confronts the last great subject of Heidegger’s philosophy: technique. Through a hermeneutic centered on the German philosopher’s own theoretical corpus, the scope of an idea of technique that was a trending topic at the time that Heidegger had to live is disc...
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| Formato: | article |
| Lenguaje: | ES |
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Universidad Central de Venezuela
2021
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| Acceso en línea: | https://doaj.org/article/f77b62972f7e46208a4c3aee06001278 |
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| Sumario: | <p>The work confronts the last great subject of Heidegger’s philosophy: technique. Through a hermeneutic centered on the German philosopher’s own theoretical corpus, the scope of an idea of technique that was a trending topic at the time that Heidegger had to live is discussed. Thus, the analysis focuses on two moments that show in this regard a different concern of the Freiburg philosopher: the first, the phenomenology of <em>Dasein</em> developed in <em>Being and Time</em> and whose main determination is the analytic of the tool regarding <em>Dasein</em>’s own existence; and the second, that of <em>The Question Concerning Technology</em>: the <em>Gestell</em> as the essence of modern technique and the Greek <em>techné</em> as the destination of the ontological question about the essence of technique. These moments make think –especially in this temporality as a permanent confrontation between <em>Dasein</em> and being- that Heidegger’s philosophy of technique ends up transforming into an essentially different philosophy. Said in Deleuze’s terms, in a philosophy of becoming.</p> <strong>Keywords</strong>: Artifact; Philosophy; World; Ontology; Technology |
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