„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci

Alongside the relationship between philosophy and painting, in the fifteenth and sixteenth centuries, a speculative interest emerged in the concept of three dimensional vision in Cusa, Jan van Eyck, Marsilio Ficino, and Giorgione da Castelfranco. The visio circularis theme becomes a central metaph...

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Autor principal: Gianluca Cuozzo
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Publicado: Universität Trier 2021
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Acceso en línea:https://doaj.org/article/f7d66ec406ef46f5af9dde37aaaafd61
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spelling oai:doaj.org-article:f7d66ec406ef46f5af9dde37aaaafd612021-11-12T09:13:03Z„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci 10.25353/ubtr-izfk-9d15-edbf2698-492X2698-4938https://doaj.org/article/f7d66ec406ef46f5af9dde37aaaafd612021-03-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/IZfK-Vol-3-All-Sided-Thinkinghttps://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938Alongside the relationship between philosophy and painting, in the fifteenth and sixteenth centuries, a speculative interest emerged in the concept of three dimensional vision in Cusa, Jan van Eyck, Marsilio Ficino, and Giorgione da Castelfranco. The visio circularis theme becomes a central metaphor for a new way of thinking and seeing the world, which culminates in Leonardo da Vinci’s studies on perspective. In this context, the mirror forms a dominant theme in the development of the studies and applications of perspective, which becomes in creasingly sensitive to sculptural relief.Gianluca CuozzoUniversität TrierarticlesculptureportraitmirrorgiorLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 3, Pp 9-34 (2021)
institution DOAJ
collection DOAJ
language DE
EN
topic sculpture
portrait
mirror
gior
Language and Literature
P
spellingShingle sculpture
portrait
mirror
gior
Language and Literature
P
Gianluca Cuozzo
„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci
description Alongside the relationship between philosophy and painting, in the fifteenth and sixteenth centuries, a speculative interest emerged in the concept of three dimensional vision in Cusa, Jan van Eyck, Marsilio Ficino, and Giorgione da Castelfranco. The visio circularis theme becomes a central metaphor for a new way of thinking and seeing the world, which culminates in Leonardo da Vinci’s studies on perspective. In this context, the mirror forms a dominant theme in the development of the studies and applications of perspective, which becomes in creasingly sensitive to sculptural relief.
format article
author Gianluca Cuozzo
author_facet Gianluca Cuozzo
author_sort Gianluca Cuozzo
title „Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci
title_short „Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci
title_full „Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci
title_fullStr „Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci
title_full_unstemmed „Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci
title_sort „allseitig“ denken. das thema des dreidimensionalen sehens bei nikolaus von kues, jan van eyck und leonardo da vinci
publisher Universität Trier
publishDate 2021
url https://doaj.org/article/f7d66ec406ef46f5af9dde37aaaafd61
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