„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci
Alongside the relationship between philosophy and painting, in the fifteenth and sixteenth centuries, a speculative interest emerged in the concept of three dimensional vision in Cusa, Jan van Eyck, Marsilio Ficino, and Giorgione da Castelfranco. The visio circularis theme becomes a central metaph...
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Universität Trier
2021
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oai:doaj.org-article:f7d66ec406ef46f5af9dde37aaaafd612021-11-12T09:13:03Z„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci 10.25353/ubtr-izfk-9d15-edbf2698-492X2698-4938https://doaj.org/article/f7d66ec406ef46f5af9dde37aaaafd612021-03-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/IZfK-Vol-3-All-Sided-Thinkinghttps://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938Alongside the relationship between philosophy and painting, in the fifteenth and sixteenth centuries, a speculative interest emerged in the concept of three dimensional vision in Cusa, Jan van Eyck, Marsilio Ficino, and Giorgione da Castelfranco. The visio circularis theme becomes a central metaphor for a new way of thinking and seeing the world, which culminates in Leonardo da Vinci’s studies on perspective. In this context, the mirror forms a dominant theme in the development of the studies and applications of perspective, which becomes in creasingly sensitive to sculptural relief.Gianluca CuozzoUniversität TrierarticlesculptureportraitmirrorgiorLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 3, Pp 9-34 (2021) |
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sculpture portrait mirror gior Language and Literature P Gianluca Cuozzo „Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci |
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Alongside the relationship between philosophy and painting, in the fifteenth and sixteenth centuries, a speculative interest emerged in the concept of three dimensional vision in Cusa, Jan van Eyck, Marsilio Ficino, and Giorgione da Castelfranco. The visio circularis theme becomes a central metaphor for a new way of thinking and seeing the world, which culminates in Leonardo da Vinci’s studies on perspective. In this context, the mirror forms a dominant theme in the development of the studies and applications of perspective, which becomes in creasingly sensitive to sculptural relief. |
format |
article |
author |
Gianluca Cuozzo |
author_facet |
Gianluca Cuozzo |
author_sort |
Gianluca Cuozzo |
title |
„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci |
title_short |
„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci |
title_full |
„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci |
title_fullStr |
„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci |
title_full_unstemmed |
„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci |
title_sort |
„allseitig“ denken. das thema des dreidimensionalen sehens bei nikolaus von kues, jan van eyck und leonardo da vinci |
publisher |
Universität Trier |
publishDate |
2021 |
url |
https://doaj.org/article/f7d66ec406ef46f5af9dde37aaaafd61 |
work_keys_str_mv |
AT gianlucacuozzo allseitigdenkendasthemadesdreidimensionalensehensbeinikolausvonkuesjanvaneyckundleonardodavinci |
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1718431087259025408 |