Both Sides Matter? Reading Greek Vases Using Pictoral Semiotics
This paper explores the possibilities of using methods of analysis from the field of pictorial semiotics in studying Greek vase painting, and thus resolving the problem of interpreting multiple scenes on a single vase. Its aim is to explain and clarify basic notions connected to this discipline, su...
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Ksiegarnia Akademicka Publishing
2015
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oai:doaj.org-article:f81d3826a68e4d5687215ed3a901906f2021-11-27T13:19:22ZBoth Sides Matter? Reading Greek Vases Using Pictoral Semiotics10.12797/SAAC.19.2015.19.061899-15482449-867Xhttps://doaj.org/article/f81d3826a68e4d5687215ed3a901906f2015-12-01T00:00:00Zhttps://journals.akademicka.pl/saac/article/view/3102https://doaj.org/toc/1899-1548https://doaj.org/toc/2449-867X This paper explores the possibilities of using methods of analysis from the field of pictorial semiotics in studying Greek vase painting, and thus resolving the problem of interpreting multiple scenes on a single vase. Its aim is to explain and clarify basic notions connected to this discipline, such as imagery, syntagmatic and paradigmatic relations, and how they relate to Greek iconography, using various examples. The main premise is that the separate scenes on the artifact are connected syntagmatically and not only paradigmatically as it is usually indicated, thus the joint interpretation always precedes the analysis of detached scenes, the latter being dependent upon the syntagmatic reducibility of the image. Wawrzyniec MiścickiKsiegarnia Akademicka PublishingarticleGreek vase paintingpictorial semioticsGreek imageryAncient historyD51-90History of the artsNX440-632ENFRStudies in Ancient Art and Civilization, Vol 19 (2015) |
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DOAJ |
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EN FR |
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Greek vase painting pictorial semiotics Greek imagery Ancient history D51-90 History of the arts NX440-632 |
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Greek vase painting pictorial semiotics Greek imagery Ancient history D51-90 History of the arts NX440-632 Wawrzyniec Miścicki Both Sides Matter? Reading Greek Vases Using Pictoral Semiotics |
description |
This paper explores the possibilities of using methods of analysis from the field of pictorial semiotics in studying Greek vase painting, and thus resolving the problem of interpreting multiple scenes on a single vase. Its aim is to explain and clarify basic notions connected to this discipline, such as imagery, syntagmatic and paradigmatic relations, and how they relate to Greek iconography, using various examples. The main premise is that the separate scenes on the artifact are connected syntagmatically and not only paradigmatically as it is usually indicated, thus the joint interpretation always precedes the analysis of detached scenes, the latter being dependent upon the syntagmatic reducibility of the image.
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format |
article |
author |
Wawrzyniec Miścicki |
author_facet |
Wawrzyniec Miścicki |
author_sort |
Wawrzyniec Miścicki |
title |
Both Sides Matter? Reading Greek Vases Using Pictoral Semiotics |
title_short |
Both Sides Matter? Reading Greek Vases Using Pictoral Semiotics |
title_full |
Both Sides Matter? Reading Greek Vases Using Pictoral Semiotics |
title_fullStr |
Both Sides Matter? Reading Greek Vases Using Pictoral Semiotics |
title_full_unstemmed |
Both Sides Matter? Reading Greek Vases Using Pictoral Semiotics |
title_sort |
both sides matter? reading greek vases using pictoral semiotics |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2015 |
url |
https://doaj.org/article/f81d3826a68e4d5687215ed3a901906f |
work_keys_str_mv |
AT wawrzyniecmiscicki bothsidesmatterreadinggreekvasesusingpictoralsemiotics |
_version_ |
1718408537845006336 |