PRESENCE AND NATURE OF ARCHETYPES IN RUSSIAN POSTERS MADE DURING THE GREAT PATRIOTIC WAR 1941–1945
The article shows the essence, content, art and aesthetic aspects of Russian poster art of the War period in connection with presence and nature of archetypes in them. A brief review of history of archetype arising and introduction of the theory of collective unconscious was given. The author descri...
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Plekhanov Russian University of Economics
2017
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oai:doaj.org-article:f8b1316029654cc3b7243b4033641bd82021-11-15T05:20:42ZPRESENCE AND NATURE OF ARCHETYPES IN RUSSIAN POSTERS MADE DURING THE GREAT PATRIOTIC WAR 1941–19452413-28292587-925110.21686/2413-2829-2016-3-159-169https://doaj.org/article/f8b1316029654cc3b7243b4033641bd82017-09-01T00:00:00Zhttps://vest.rea.ru/jour/article/view/172https://doaj.org/toc/2413-2829https://doaj.org/toc/2587-9251The article shows the essence, content, art and aesthetic aspects of Russian poster art of the War period in connection with presence and nature of archetypes in them. A brief review of history of archetype arising and introduction of the theory of collective unconscious was given. The author describes the sources that generate such ideas, which was illustrated by Russian posters, ways of their conscious, intuitive or occasional arising in creation of man. A conclusion was made that the content of hidden layers in any work of art implies its significance and durability in history of art and national memory of mankind.Sergey A. AfonskiyPlekhanov Russian University of Economicsarticlearchetypeshidden symbolspostersworks of artartistic imagessymbols of colourstylisticsideassymbolic principlecollective unconsciousEconomics as a scienceHB71-74RUВестник Российского экономического университета имени Г. В. Плеханова, Vol 0, Iss 3, Pp 159-169 (2017) |
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archetypes hidden symbols posters works of art artistic images symbols of colour stylistics ideas symbolic principle collective unconscious Economics as a science HB71-74 |
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archetypes hidden symbols posters works of art artistic images symbols of colour stylistics ideas symbolic principle collective unconscious Economics as a science HB71-74 Sergey A. Afonskiy PRESENCE AND NATURE OF ARCHETYPES IN RUSSIAN POSTERS MADE DURING THE GREAT PATRIOTIC WAR 1941–1945 |
description |
The article shows the essence, content, art and aesthetic aspects of Russian poster art of the War period in connection with presence and nature of archetypes in them. A brief review of history of archetype arising and introduction of the theory of collective unconscious was given. The author describes the sources that generate such ideas, which was illustrated by Russian posters, ways of their conscious, intuitive or occasional arising in creation of man. A conclusion was made that the content of hidden layers in any work of art implies its significance and durability in history of art and national memory of mankind. |
format |
article |
author |
Sergey A. Afonskiy |
author_facet |
Sergey A. Afonskiy |
author_sort |
Sergey A. Afonskiy |
title |
PRESENCE AND NATURE OF ARCHETYPES IN RUSSIAN POSTERS MADE DURING THE GREAT PATRIOTIC WAR 1941–1945 |
title_short |
PRESENCE AND NATURE OF ARCHETYPES IN RUSSIAN POSTERS MADE DURING THE GREAT PATRIOTIC WAR 1941–1945 |
title_full |
PRESENCE AND NATURE OF ARCHETYPES IN RUSSIAN POSTERS MADE DURING THE GREAT PATRIOTIC WAR 1941–1945 |
title_fullStr |
PRESENCE AND NATURE OF ARCHETYPES IN RUSSIAN POSTERS MADE DURING THE GREAT PATRIOTIC WAR 1941–1945 |
title_full_unstemmed |
PRESENCE AND NATURE OF ARCHETYPES IN RUSSIAN POSTERS MADE DURING THE GREAT PATRIOTIC WAR 1941–1945 |
title_sort |
presence and nature of archetypes in russian posters made during the great patriotic war 1941–1945 |
publisher |
Plekhanov Russian University of Economics |
publishDate |
2017 |
url |
https://doaj.org/article/f8b1316029654cc3b7243b4033641bd8 |
work_keys_str_mv |
AT sergeyaafonskiy presenceandnatureofarchetypesinrussianpostersmadeduringthegreatpatrioticwar19411945 |
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1718428782999633920 |