Filming the Historical Geography: <i>Story from the Realm of Maps in Regensburg</i>

Research on a specific topic requires the individualized cartographic methods of work that may be defined as the <i>Realm of Maps</i>. The double dimensionality in the <i>Realm of Maps</i> is understood here as a physical place—a studio workroom—and as a research method. In t...

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Autores principales: Beata Medyńska-Gulij, Tillmann Tegeler, Hans Bauer, Krzysztof Zagata, Łukasz Wielebski
Formato: article
Lenguaje:EN
Publicado: MDPI AG 2021
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Acceso en línea:https://doaj.org/article/f8cdcd345dbd4dc7b96e225ecfc01551
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spelling oai:doaj.org-article:f8cdcd345dbd4dc7b96e225ecfc015512021-11-25T17:53:05ZFilming the Historical Geography: <i>Story from the Realm of Maps in Regensburg</i>10.3390/ijgi101107642220-9964https://doaj.org/article/f8cdcd345dbd4dc7b96e225ecfc015512021-11-01T00:00:00Zhttps://www.mdpi.com/2220-9964/10/11/764https://doaj.org/toc/2220-9964Research on a specific topic requires the individualized cartographic methods of work that may be defined as the <i>Realm of Maps</i>. The double dimensionality in the <i>Realm of Maps</i> is understood here as a physical place—a studio workroom—and as a research method. In this study, we focused on the way of presenting a research method designed to study the topic of historico-geographical space in the form of a short film story. The second purpose is to indicate the legitimacy of combining two dimensions of working with maps, the real one and the virtual one, to be able to collect cartographic and descriptive sources in one scientific center. Our research on the <i>Story from the Realm of Maps in Regensburg: ‘People Movement in Southeast Europe’</i> included a concept adopted by cartographical, historical, and geographical sources; the construction of a studio workroom; a script draft; individual sequences of the story in different types of media; editing the video, along with publishing it on an online video-sharing platform. We used as many different types of geomedia as possible, which, on the one hand, boosts the attractiveness of the film and, on the other, may hamper the proper perception of the main film plot. Finally, we recommend principles of map design for the film, with analog maps and maps created specifically for the short film, published using online video-sharing platforms.Beata Medyńska-GulijTillmann TegelerHans BauerKrzysztof ZagataŁukasz WielebskiMDPI AGarticle<i>Realm of Maps</i>geomediamap workroomshort filmcartographical storymedium meansGeography (General)G1-922ENISPRS International Journal of Geo-Information, Vol 10, Iss 764, p 764 (2021)
institution DOAJ
collection DOAJ
language EN
topic <i>Realm of Maps</i>
geomedia
map workroom
short film
cartographical story
medium means
Geography (General)
G1-922
spellingShingle <i>Realm of Maps</i>
geomedia
map workroom
short film
cartographical story
medium means
Geography (General)
G1-922
Beata Medyńska-Gulij
Tillmann Tegeler
Hans Bauer
Krzysztof Zagata
Łukasz Wielebski
Filming the Historical Geography: <i>Story from the Realm of Maps in Regensburg</i>
description Research on a specific topic requires the individualized cartographic methods of work that may be defined as the <i>Realm of Maps</i>. The double dimensionality in the <i>Realm of Maps</i> is understood here as a physical place—a studio workroom—and as a research method. In this study, we focused on the way of presenting a research method designed to study the topic of historico-geographical space in the form of a short film story. The second purpose is to indicate the legitimacy of combining two dimensions of working with maps, the real one and the virtual one, to be able to collect cartographic and descriptive sources in one scientific center. Our research on the <i>Story from the Realm of Maps in Regensburg: ‘People Movement in Southeast Europe’</i> included a concept adopted by cartographical, historical, and geographical sources; the construction of a studio workroom; a script draft; individual sequences of the story in different types of media; editing the video, along with publishing it on an online video-sharing platform. We used as many different types of geomedia as possible, which, on the one hand, boosts the attractiveness of the film and, on the other, may hamper the proper perception of the main film plot. Finally, we recommend principles of map design for the film, with analog maps and maps created specifically for the short film, published using online video-sharing platforms.
format article
author Beata Medyńska-Gulij
Tillmann Tegeler
Hans Bauer
Krzysztof Zagata
Łukasz Wielebski
author_facet Beata Medyńska-Gulij
Tillmann Tegeler
Hans Bauer
Krzysztof Zagata
Łukasz Wielebski
author_sort Beata Medyńska-Gulij
title Filming the Historical Geography: <i>Story from the Realm of Maps in Regensburg</i>
title_short Filming the Historical Geography: <i>Story from the Realm of Maps in Regensburg</i>
title_full Filming the Historical Geography: <i>Story from the Realm of Maps in Regensburg</i>
title_fullStr Filming the Historical Geography: <i>Story from the Realm of Maps in Regensburg</i>
title_full_unstemmed Filming the Historical Geography: <i>Story from the Realm of Maps in Regensburg</i>
title_sort filming the historical geography: <i>story from the realm of maps in regensburg</i>
publisher MDPI AG
publishDate 2021
url https://doaj.org/article/f8cdcd345dbd4dc7b96e225ecfc01551
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AT hansbauer filmingthehistoricalgeographyistoryfromtherealmofmapsinregensburgi
AT krzysztofzagata filmingthehistoricalgeographyistoryfromtherealmofmapsinregensburgi
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