RETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI

In Os transparentes (2012), the Angolan writer Ondjaki presents the city of Luanda as, more than a geographical indication, a symbolic construction capable of reflecting and problematizing the recent history of his country. Contemporary landscape, marked by deep scars, the An...

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Autor principal:	Renata Flávia da Silva
Formato:	article
Lenguaje:	EN ES PT
Publicado:	TRF2 2017
Materias:	angolan literature landscape (in)visibility Education L Law K
Acceso en línea:	https://doaj.org/article/f909eba785cd482baebc8069c66da2b1
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:f909eba785cd482baebc8069c66da2b1
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spelling	oai:doaj.org-article:f909eba785cd482baebc8069c66da2b12021-12-02T13:00:26ZRETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI10.30749/2594-8261.v1n1p164-1742595-67282594-8261https://doaj.org/article/f909eba785cd482baebc8069c66da2b12017-12-01T00:00:00Zhttp://lexcultccjf.trf2.jus.br/index.php/LexCult/article/view/13/15https://doaj.org/toc/2595-6728https://doaj.org/toc/2594-8261In Os transparentes (2012), the Angolan writer Ondjaki presents the city of Luanda as, more than a geographical indication, a symbolic construction capable of reflecting and problematizing the recent history of his country. Contemporary landscape, marked by deep scars, the Angolan capital is described in its unequal relations of occupation of urban space and social visibility. In this irregular landscape, where the exception is established as a rule, the erasing of the subject, its progressive invisibility, is the textual representation of a place where the human loses space for material values in an increasingly objectified society. The present work intends to analyze how the narrative space recovers the historical-cultural process experienced by Angolans, thus constituting a line of escape in a horizon of violence and chaos. Renata Flávia da SilvaTRF2articleangolan literaturelandscape(in)visibilityEducationLLawKENESPTLexCult, Vol 1, Iss 1, Pp 164-174 (2017)
institution	DOAJ
collection	DOAJ
language	EN ES PT
topic	angolan literature landscape (in)visibility Education L Law K
spellingShingle	angolan literature landscape (in)visibility Education L Law K Renata Flávia da Silva RETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI
description	In Os transparentes (2012), the Angolan writer Ondjaki presents the city of Luanda as, more than a geographical indication, a symbolic construction capable of reflecting and problematizing the recent history of his country. Contemporary landscape, marked by deep scars, the Angolan capital is described in its unequal relations of occupation of urban space and social visibility. In this irregular landscape, where the exception is established as a rule, the erasing of the subject, its progressive invisibility, is the textual representation of a place where the human loses space for material values in an increasingly objectified society. The present work intends to analyze how the narrative space recovers the historical-cultural process experienced by Angolans, thus constituting a line of escape in a horizon of violence and chaos.
format	article
author	Renata Flávia da Silva
author_facet	Renata Flávia da Silva
author_sort	Renata Flávia da Silva
title	RETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI
title_short	RETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI
title_full	RETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI
title_fullStr	RETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI
title_full_unstemmed	RETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI
title_sort	retrato de uma luanda invisível em os transparentes, de ondjaki
publisher	TRF2
publishDate	2017
url	https://doaj.org/article/f909eba785cd482baebc8069c66da2b1
work_keys_str_mv	AT renataflaviadasilva retratodeumaluandainvisivelemostransparentesdeondjaki
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RETRATO DE UMA LUANDA INVISÍVEL EM OS TRANSPARENTES, DE ONDJAKI

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