Moda e economia criativa: políticas culturais no Brasil contemporâneo

As demonstrated by some authors who reflect on contemporary cultural policies in Brazil, the country finds itself in a unique moment with regard to the relationship between cul- ture and the state. In this sense, the Ministry of Culture (MinC) is much more active and involved in discussions about th...

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Autor principal:	Heloisa Helena de Oliveira Santos
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2014
Materias:	fashion creative economy cultural policies unctad ministry of culture (minc) Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/fa291b5a34e44cd2a0c8a5e4d141d2ee
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spelling	oai:doaj.org-article:fa291b5a34e44cd2a0c8a5e4d141d2ee2021-11-11T15:42:00ZModa e economia criativa: políticas culturais no Brasil contemporâneo2177-6229https://doaj.org/article/fa291b5a34e44cd2a0c8a5e4d141d2ee2014-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93835316003https://doaj.org/toc/2177-6229As demonstrated by some authors who reflect on contemporary cultural policies in Brazil, the country finds itself in a unique moment with regard to the relationship between cul- ture and the state. In this sense, the Ministry of Culture (MinC) is much more active and involved in discussions about the development of Brazilian society. This role acquired by MinC is recent and is inserted into the broader PT government program, initiated in 2003. As a result of this new place assumed by this ministry, it proposed to review not only its performance, but also the areas that would compose its scope and could be included in its political project. This reflection led to a rapprochement with the discussions taking place at the international and especially supranational level – centrally in the agencies associated with the United Nations – on the creative economy: the area has gained ground in Brazil and sectors which hitherto were not considered as part of national cultural poli- cies became part of them. So in this article I want to briefly address the appropriations made by the Brazilian government of the discussions held by UNCTAD/UN, as well as to discuss how MinC understands the fashion in this context, further indicating some of the actions carried out not only by political leaders, but also by the actors involved in the sector to affirm this new position of fashion as a target of cultural policies in Brazil.Heloisa Helena de Oliveira SantosUniversidade do Vale do Rio dos Sinos (UNISINOS)articlefashioncreative economycultural policiesunctadministry of culture (minc)Social SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 50, Iss 3, Pp 194-205 (2014)
institution	DOAJ
collection	DOAJ
language	PT
topic	fashion creative economy cultural policies unctad ministry of culture (minc) Social Sciences H Social sciences (General) H1-99
spellingShingle	fashion creative economy cultural policies unctad ministry of culture (minc) Social Sciences H Social sciences (General) H1-99 Heloisa Helena de Oliveira Santos Moda e economia criativa: políticas culturais no Brasil contemporâneo
description	As demonstrated by some authors who reflect on contemporary cultural policies in Brazil, the country finds itself in a unique moment with regard to the relationship between cul- ture and the state. In this sense, the Ministry of Culture (MinC) is much more active and involved in discussions about the development of Brazilian society. This role acquired by MinC is recent and is inserted into the broader PT government program, initiated in 2003. As a result of this new place assumed by this ministry, it proposed to review not only its performance, but also the areas that would compose its scope and could be included in its political project. This reflection led to a rapprochement with the discussions taking place at the international and especially supranational level – centrally in the agencies associated with the United Nations – on the creative economy: the area has gained ground in Brazil and sectors which hitherto were not considered as part of national cultural poli- cies became part of them. So in this article I want to briefly address the appropriations made by the Brazilian government of the discussions held by UNCTAD/UN, as well as to discuss how MinC understands the fashion in this context, further indicating some of the actions carried out not only by political leaders, but also by the actors involved in the sector to affirm this new position of fashion as a target of cultural policies in Brazil.
format	article
author	Heloisa Helena de Oliveira Santos
author_facet	Heloisa Helena de Oliveira Santos
author_sort	Heloisa Helena de Oliveira Santos
title	Moda e economia criativa: políticas culturais no Brasil contemporâneo
title_short	Moda e economia criativa: políticas culturais no Brasil contemporâneo
title_full	Moda e economia criativa: políticas culturais no Brasil contemporâneo
title_fullStr	Moda e economia criativa: políticas culturais no Brasil contemporâneo
title_full_unstemmed	Moda e economia criativa: políticas culturais no Brasil contemporâneo
title_sort	moda e economia criativa: políticas culturais no brasil contemporâneo
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2014
url	https://doaj.org/article/fa291b5a34e44cd2a0c8a5e4d141d2ee
work_keys_str_mv	AT heloisahelenadeoliveirasantos modaeeconomiacriativapoliticasculturaisnobrasilcontemporaneo
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Moda e economia criativa: políticas culturais no Brasil contemporâneo

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