Fenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa

The fans of French songs have recently received a real windfall: two CDs prepared by Michał Bajor with the French songs chosen by the artist. Polish translations by Wojciech Młynarski, very accurate at the level of meaning, are an important advantage of the publication. However, the high fidelity b...

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Autor principal:	Joanna Warmuzińska‑Rogóż
Formato:	article
Lenguaje:	EN FR PL
Publicado:	Ksiegarnia Akademicka Publishing 2021
Materias:	French song translation cultural transfer Translating and interpreting P306-310
Acceso en línea:	https://doaj.org/article/fa7490fb332d49c59b9543958a723a35
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id	oai:doaj.org-article:fa7490fb332d49c59b9543958a723a35
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spelling	oai:doaj.org-article:fa7490fb332d49c59b9543958a723a352021-11-27T13:03:04ZFenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa10.12797/MOaP.19.2013.22.071689-91212391-6745https://doaj.org/article/fa7490fb332d49c59b9543958a723a352021-07-01T00:00:00Zhttps://journals.akademicka.pl/moap/article/view/1945https://doaj.org/toc/1689-9121https://doaj.org/toc/2391-6745 The fans of French songs have recently received a real windfall: two CDs prepared by Michał Bajor with the French songs chosen by the artist. Polish translations by Wojciech Młynarski, very accurate at the level of meaning, are an important advantage of the publication. However, the high fidelity between the original and the translation does not provide the excellent compatibility between both groups of texts. This article shows, from the point of view of the process of translation, the functioning of the songs selected by the authors of the disc both in the target and original culture. While in France many of the songs selected by Michał Bajor are considered as classics that have no longer a special interest among the French auditors, on a contrary in the Polish culture it is possible to observe the enduring interest in this form of creation. Interestingly, we find that the average Polish recipient perceives the song from the perspective of artists such as Edith Piaf, Charles Aznavour and Joe Dassin, without being aware of new trends in music. We are therefore faced with an interesting cultural transfer process, in which the faithful translation does not guarantee the absence of deformation, resulting in this case, at least in part, from differences in the “time‑space” of the original and the translation. Joanna Warmuzińska‑RogóżKsiegarnia Akademicka PublishingarticleFrench songtranslationcultural transferTranslating and interpretingP306-310ENFRPLMiędzy Oryginałem a Przekładem, Vol 19, Iss 4(22) (2021)
institution	DOAJ
collection	DOAJ
language	EN FR PL
topic	French song translation cultural transfer Translating and interpreting P306-310
spellingShingle	French song translation cultural transfer Translating and interpreting P306-310 Joanna Warmuzińska‑Rogóż Fenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa
description	The fans of French songs have recently received a real windfall: two CDs prepared by Michał Bajor with the French songs chosen by the artist. Polish translations by Wojciech Młynarski, very accurate at the level of meaning, are an important advantage of the publication. However, the high fidelity between the original and the translation does not provide the excellent compatibility between both groups of texts. This article shows, from the point of view of the process of translation, the functioning of the songs selected by the authors of the disc both in the target and original culture. While in France many of the songs selected by Michał Bajor are considered as classics that have no longer a special interest among the French auditors, on a contrary in the Polish culture it is possible to observe the enduring interest in this form of creation. Interestingly, we find that the average Polish recipient perceives the song from the perspective of artists such as Edith Piaf, Charles Aznavour and Joe Dassin, without being aware of new trends in music. We are therefore faced with an interesting cultural transfer process, in which the faithful translation does not guarantee the absence of deformation, resulting in this case, at least in part, from differences in the “time‑space” of the original and the translation.
format	article
author	Joanna Warmuzińska‑Rogóż
author_facet	Joanna Warmuzińska‑Rogóż
author_sort	Joanna Warmuzińska‑Rogóż
title	Fenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa
title_short	Fenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa
title_full	Fenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa
title_fullStr	Fenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa
title_full_unstemmed	Fenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa
title_sort	fenomen piosenki francuskiej w polsce, czyli piaf wiecznie żywa
publisher	Ksiegarnia Akademicka Publishing
publishDate	2021
url	https://doaj.org/article/fa7490fb332d49c59b9543958a723a35
work_keys_str_mv	AT joannawarmuzinskarogoz fenomenpiosenkifrancuskiejwpolsceczylipiafwieczniezywa
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Fenomen piosenki francuskiej w Polsce, czyli Piaf wiecznie żywa

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