Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages

The analysis of historical, culturally motivated ideas about the German knight, which are objectified in the language not only in conventional, unified standards, but primarily in socio-ethnocultural assessments and stereotypes, is presented. The material of the study was German knightly novels: “Tr...

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Autores principales:	Olga N. Obukhova, Olga V. Baykova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	средневековье средства языковой объективации образ немецкого рыцаря национально-культурная специфика middle ages means of language objectification the image of a german knight national-cultural specificity Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/fa87e97a256c46898197f3038725ebd0
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id	oai:doaj.org-article:fa87e97a256c46898197f3038725ebd0
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spelling	oai:doaj.org-article:fa87e97a256c46898197f3038725ebd02021-12-02T07:58:11ZMeans of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages2225-756X2227-129510.24224/2227-1295-2020-7-158-176https://doaj.org/article/fa87e97a256c46898197f3038725ebd02020-07-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1724https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The analysis of historical, culturally motivated ideas about the German knight, which are objectified in the language not only in conventional, unified standards, but primarily in socio-ethnocultural assessments and stereotypes, is presented. The material of the study was German knightly novels: “Tristan” (“Tristan”) by Gottfried of Strasbourg, “Poor Heinrich” (“Der arme Heinrich”) by Hartmann von Aue, “Eneasroman” by Heinrich von Veldeke. Particular attention is paid to the study of indicators of the national specificity of the image of the German knight. It is proved in the work that the actualization of lexical units that serve to represent the image of a knight is largely specific and due to the genre specificity of Western European literature texts of the Middle Ages. It is stated that the knowledge of medieval German culture bearers about the surrounding reality, objectified by the semantics and pragmatics of linguistic and speech units, structures, compositions, united as a whole by the characteristics of the surrounding world are accumulated in the artistic picture of the world in the Middle Ages. It is concluded that the image of a knight embodies the complex of worldview coordinates and values of the knightly estate, which are recorded in a verbal (artistic) text in the form of a specially organized system of knowledge and ideas about the world.Olga N. ObukhovaOlga V. BaykovaTsentr nauchnykh i obrazovatelnykh proektovarticleсредневековьесредства языковой объективацииобраз немецкого рыцарянационально-культурная спецификаmiddle agesmeans of language objectificationthe image of a german knightnational-cultural specificitySlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 7, Pp 158-176 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	средневековье средства языковой объективации образ немецкого рыцаря национально-культурная специфика middle ages means of language objectification the image of a german knight national-cultural specificity Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	средневековье средства языковой объективации образ немецкого рыцаря национально-культурная специфика middle ages means of language objectification the image of a german knight national-cultural specificity Slavic languages. Baltic languages. Albanian languages PG1-9665 Olga N. Obukhova Olga V. Baykova Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages
description	The analysis of historical, culturally motivated ideas about the German knight, which are objectified in the language not only in conventional, unified standards, but primarily in socio-ethnocultural assessments and stereotypes, is presented. The material of the study was German knightly novels: “Tristan” (“Tristan”) by Gottfried of Strasbourg, “Poor Heinrich” (“Der arme Heinrich”) by Hartmann von Aue, “Eneasroman” by Heinrich von Veldeke. Particular attention is paid to the study of indicators of the national specificity of the image of the German knight. It is proved in the work that the actualization of lexical units that serve to represent the image of a knight is largely specific and due to the genre specificity of Western European literature texts of the Middle Ages. It is stated that the knowledge of medieval German culture bearers about the surrounding reality, objectified by the semantics and pragmatics of linguistic and speech units, structures, compositions, united as a whole by the characteristics of the surrounding world are accumulated in the artistic picture of the world in the Middle Ages. It is concluded that the image of a knight embodies the complex of worldview coordinates and values of the knightly estate, which are recorded in a verbal (artistic) text in the form of a specially organized system of knowledge and ideas about the world.
format	article
author	Olga N. Obukhova Olga V. Baykova
author_facet	Olga N. Obukhova Olga V. Baykova
author_sort	Olga N. Obukhova
title	Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages
title_short	Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages
title_full	Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages
title_fullStr	Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages
title_full_unstemmed	Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages
title_sort	means of language objectification of the german knight image in the artistic picture of world in middle ages
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/fa87e97a256c46898197f3038725ebd0
work_keys_str_mv	AT olganobukhova meansoflanguageobjectificationofthegermanknightimageintheartisticpictureofworldinmiddleages AT olgavbaykova meansoflanguageobjectificationofthegermanknightimageintheartisticpictureofworldinmiddleages
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Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages

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