The Concept of Tumbuk in Javanese Gamelan Tuning

This study aimed to reveal the concept of Tumbuk in Javanese gamelan tuning, namely gamêlan agêng with Sléndro and Pélog. This study used a qualitative method with an ethical emic perspective. The data collection was done by conducting literature review, observation, interviews, and studio work, the...

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Autores principales:	Harmanto Harmanto, Suyoto Suyoto, Jody Diamond
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2021
Materias:	concept of tumbu gamelan tuning sléndro pélog javanese gamelan Fine Arts N
Acceso en línea:	https://doaj.org/article/fb5a9d34472242b292202da225371fcb
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id	oai:doaj.org-article:fb5a9d34472242b292202da225371fcb
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spelling	oai:doaj.org-article:fb5a9d34472242b292202da225371fcb2021-11-26T23:50:11ZThe Concept of Tumbuk in Javanese Gamelan Tuning1412-41812685-287X10.33153/dewaruci.v16i2.3794https://doaj.org/article/fb5a9d34472242b292202da225371fcb2021-12-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/3794https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XThis study aimed to reveal the concept of Tumbuk in Javanese gamelan tuning, namely gamêlan agêng with Sléndro and Pélog. This study used a qualitative method with an ethical emic perspective. The data collection was done by conducting literature review, observation, interviews, and studio work, then processed with data analysis. The data analysis then was followed up through data interaction by interpreting the relationship reactions of the three elements of analysis consisting of data collection, data reduction, and data presentation. The interpretation of the data was done inductively, so that the conclusion was drawn entirely from the development of the data according to the realities of the field. The results showed that tumbuk was not only limited to a note that has the same high and low, but it is a musical concept that integrates the Sléndro and Pélog scales in the tuning of a set of gamelans. There are basically only two types of tumbuk: nêm tumbuk and lima tumbuk. Other than those, it means that they are the strut. The thing is,tumbuk has a central tone that serves as a benchmark and a supporting tone whose position strengthens the integration of each type of tumbuk. As a concept, it was found that tumbuk plays several important roles including equalizing the highs and lows of certain notes, equalizing the range of certain notes, and conditioning the range of notes or the addition of the tune.Harmanto HarmantoSuyoto SuyotoJody DiamondInstitut Seni Indonesia Surakartaarticleconcept of tumbugamelan tuningsléndropélogjavanese gamelanFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 16, Iss 2, Pp 105-116 (2021)
institution	DOAJ
collection	DOAJ
language	ID
topic	concept of tumbu gamelan tuning sléndro pélog javanese gamelan Fine Arts N
spellingShingle	concept of tumbu gamelan tuning sléndro pélog javanese gamelan Fine Arts N Harmanto Harmanto Suyoto Suyoto Jody Diamond The Concept of Tumbuk in Javanese Gamelan Tuning
description	This study aimed to reveal the concept of Tumbuk in Javanese gamelan tuning, namely gamêlan agêng with Sléndro and Pélog. This study used a qualitative method with an ethical emic perspective. The data collection was done by conducting literature review, observation, interviews, and studio work, then processed with data analysis. The data analysis then was followed up through data interaction by interpreting the relationship reactions of the three elements of analysis consisting of data collection, data reduction, and data presentation. The interpretation of the data was done inductively, so that the conclusion was drawn entirely from the development of the data according to the realities of the field. The results showed that tumbuk was not only limited to a note that has the same high and low, but it is a musical concept that integrates the Sléndro and Pélog scales in the tuning of a set of gamelans. There are basically only two types of tumbuk: nêm tumbuk and lima tumbuk. Other than those, it means that they are the strut. The thing is,tumbuk has a central tone that serves as a benchmark and a supporting tone whose position strengthens the integration of each type of tumbuk. As a concept, it was found that tumbuk plays several important roles including equalizing the highs and lows of certain notes, equalizing the range of certain notes, and conditioning the range of notes or the addition of the tune.
format	article
author	Harmanto Harmanto Suyoto Suyoto Jody Diamond
author_facet	Harmanto Harmanto Suyoto Suyoto Jody Diamond
author_sort	Harmanto Harmanto
title	The Concept of Tumbuk in Javanese Gamelan Tuning
title_short	The Concept of Tumbuk in Javanese Gamelan Tuning
title_full	The Concept of Tumbuk in Javanese Gamelan Tuning
title_fullStr	The Concept of Tumbuk in Javanese Gamelan Tuning
title_full_unstemmed	The Concept of Tumbuk in Javanese Gamelan Tuning
title_sort	concept of tumbuk in javanese gamelan tuning
publisher	Institut Seni Indonesia Surakarta
publishDate	2021
url	https://doaj.org/article/fb5a9d34472242b292202da225371fcb
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The Concept of Tumbuk in Javanese Gamelan Tuning

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