Ciclo de protestos de 2013: construção midiática das performances de contestação

This article presents a study on the cycle of protests of 2013, specifically on the forms of public manifestation of collective demands and their implications in the construction of meanings realized by the mainstream media. The purpose of this study is to identify the frameworks constructed by medi...

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Autores principales:	Camila Farias da Silva, Eduardo Georjão Fernandes
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2017
Materias:	cycle of protests violent performances mediatic frames Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/fbaf1bff1645475197ea312731ca9c8c
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id	oai:doaj.org-article:fbaf1bff1645475197ea312731ca9c8c
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spelling	oai:doaj.org-article:fbaf1bff1645475197ea312731ca9c8c2021-11-11T15:42:01ZCiclo de protestos de 2013: construção midiática das performances de contestação2177-6229https://doaj.org/article/fbaf1bff1645475197ea312731ca9c8c2017-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93853317005https://doaj.org/toc/2177-6229This article presents a study on the cycle of protests of 2013, specifically on the forms of public manifestation of collective demands and their implications in the construction of meanings realized by the mainstream media. The purpose of this study is to identify the frameworks constructed by media vehicles regarding the public contentious performances composed by violent actions occurred in the cycle of protests of 2013. For that, the object of the study were the public contentious performances classified as violent and carried out in the demonstrations that took place in Porto Alegre on the demand of public transport from 1970 to 2013. Methodologically, the analysis of protest events was used from data collected in the research project “Regimes and Associative Repertoires: political opportunities and social organization in Brazil”, which is composed of news from Zero Hora newspaper about demonstrations of collective demands. Subsequently, an analysis of the coverage of Zero Hora about the cycle of protests of 2013 was made to identify the media construction of these performances. We analyzed the coverages for the events of March 27th, April 4th, June 13th and June 20th. The use of violent actions by demonstrators is perceived as a new phenomenon, in which large media vehicles, such as Zero Hora, use interpretive schemes already consolidated and previously constructed (to cover individual crime), in which violence is not identified as a contentious performance that composes a repertoire of action, but as an isolated and criminal action.Camila Farias da SilvaEduardo Georjão FernandesUniversidade do Vale do Rio dos Sinos (UNISINOS)articlecycle of protestsviolent performancesmediatic framesSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 53, Iss 2, Pp 202-215 (2017)
institution	DOAJ
collection	DOAJ
language	PT
topic	cycle of protests violent performances mediatic frames Social Sciences H Social sciences (General) H1-99
spellingShingle	cycle of protests violent performances mediatic frames Social Sciences H Social sciences (General) H1-99 Camila Farias da Silva Eduardo Georjão Fernandes Ciclo de protestos de 2013: construção midiática das performances de contestação
description	This article presents a study on the cycle of protests of 2013, specifically on the forms of public manifestation of collective demands and their implications in the construction of meanings realized by the mainstream media. The purpose of this study is to identify the frameworks constructed by media vehicles regarding the public contentious performances composed by violent actions occurred in the cycle of protests of 2013. For that, the object of the study were the public contentious performances classified as violent and carried out in the demonstrations that took place in Porto Alegre on the demand of public transport from 1970 to 2013. Methodologically, the analysis of protest events was used from data collected in the research project “Regimes and Associative Repertoires: political opportunities and social organization in Brazil”, which is composed of news from Zero Hora newspaper about demonstrations of collective demands. Subsequently, an analysis of the coverage of Zero Hora about the cycle of protests of 2013 was made to identify the media construction of these performances. We analyzed the coverages for the events of March 27th, April 4th, June 13th and June 20th. The use of violent actions by demonstrators is perceived as a new phenomenon, in which large media vehicles, such as Zero Hora, use interpretive schemes already consolidated and previously constructed (to cover individual crime), in which violence is not identified as a contentious performance that composes a repertoire of action, but as an isolated and criminal action.
format	article
author	Camila Farias da Silva Eduardo Georjão Fernandes
author_facet	Camila Farias da Silva Eduardo Georjão Fernandes
author_sort	Camila Farias da Silva
title	Ciclo de protestos de 2013: construção midiática das performances de contestação
title_short	Ciclo de protestos de 2013: construção midiática das performances de contestação
title_full	Ciclo de protestos de 2013: construção midiática das performances de contestação
title_fullStr	Ciclo de protestos de 2013: construção midiática das performances de contestação
title_full_unstemmed	Ciclo de protestos de 2013: construção midiática das performances de contestação
title_sort	ciclo de protestos de 2013: construção midiática das performances de contestação
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2017
url	https://doaj.org/article/fbaf1bff1645475197ea312731ca9c8c
work_keys_str_mv	AT camilafariasdasilva ciclodeprotestosde2013construcaomidiaticadasperformancesdecontestacao AT eduardogeorjaofernandes ciclodeprotestosde2013construcaomidiaticadasperformancesdecontestacao
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Ciclo de protestos de 2013: construção midiática das performances de contestação

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