Homer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz

In this article, I will show how Alfred Döblin is, on the one hand, captivated by the extensiveness of the traditional epic - a quality which Hegel in his Lectures on Fine Arts highlights and which is often terminologically expressed as 'epic breadth' - whilst on the other hand, Döblin is...

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Autor principal:	Christian Sieg
Formato:	article
Lenguaje:	EN
Publicado:	University of Edinburgh 2006
Materias:	Fine Arts N Language and Literature P
Acceso en línea:	https://doaj.org/article/fbfd842e20ee410480faa4eb76f27b71
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spelling	oai:doaj.org-article:fbfd842e20ee410480faa4eb76f27b712021-11-23T09:46:01ZHomer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz1749-9771https://doaj.org/article/fbfd842e20ee410480faa4eb76f27b712006-08-01T00:00:00Zhttp://www.forumjournal.org/article/view/568https://doaj.org/toc/1749-9771In this article, I will show how Alfred Döblin is, on the one hand, captivated by the extensiveness of the traditional epic - a quality which Hegel in his Lectures on Fine Arts highlights and which is often terminologically expressed as 'epic breadth' - whilst on the other hand, Döblin is fascinated by the oral character of the antique genre. I will also explore how both these qualities are fundamentally altered in Döblin's modernist appropriation of the epic. Since the heroic deeds, which the antique epic extensively addresses, are at odds with modern sensibilities, Döblin transforms the epic into a modernist encyclopaedia of ordinary practices.Christian SiegUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum (2006)
institution	DOAJ
collection	DOAJ
language	EN
topic	Fine Arts N Language and Literature P
spellingShingle	Fine Arts N Language and Literature P Christian Sieg Homer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz
description	In this article, I will show how Alfred Döblin is, on the one hand, captivated by the extensiveness of the traditional epic - a quality which Hegel in his Lectures on Fine Arts highlights and which is often terminologically expressed as 'epic breadth' - whilst on the other hand, Döblin is fascinated by the oral character of the antique genre. I will also explore how both these qualities are fundamentally altered in Döblin's modernist appropriation of the epic. Since the heroic deeds, which the antique epic extensively addresses, are at odds with modern sensibilities, Döblin transforms the epic into a modernist encyclopaedia of ordinary practices.
format	article
author	Christian Sieg
author_facet	Christian Sieg
author_sort	Christian Sieg
title	Homer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz
title_short	Homer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz
title_full	Homer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz
title_fullStr	Homer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz
title_full_unstemmed	Homer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz
title_sort	homer takes the streetcar – the modernist appropriation of the epic and alfred döblin's berlin alexanderplatz
publisher	University of Edinburgh
publishDate	2006
url	https://doaj.org/article/fbfd842e20ee410480faa4eb76f27b71
work_keys_str_mv	AT christiansieg homertakesthestreetcarthemodernistappropriationoftheepicandalfreddoblinsberlinalexanderplatz
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Homer takes the Streetcar – The Modernist Appropriation of the Epic and Alfred Döblin's Berlin Alexanderplatz

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