Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion

This paper examines the benefits of ethnographic film for the study of religion. It argues that the exploration of gaps between colloquial descriptions of divinities and their practical manifestation in ritual is instructive of the way religious categories are conceptualized. The argument is develop...

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Autor principal: Arik Moran
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Lenguaje:EN
Publicado: MDPI AG 2021
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Acceso en línea:https://doaj.org/article/fc995a646e4c4d589c5bfde2c6ae0872
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spelling oai:doaj.org-article:fc995a646e4c4d589c5bfde2c6ae08722021-11-25T18:53:27ZEncountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion10.3390/rel121110212077-1444https://doaj.org/article/fc995a646e4c4d589c5bfde2c6ae08722021-11-01T00:00:00Zhttps://www.mdpi.com/2077-1444/12/11/1021https://doaj.org/toc/2077-1444This paper examines the benefits of ethnographic film for the study of religion. It argues that the exploration of gaps between colloquial descriptions of divinities and their practical manifestation in ritual is instructive of the way religious categories are conceptualized. The argument is developed through an analysis of selected scenes from the documentary <i>AVATARA</i>, a meditation on goddess worship (<i>Śaktism</i>) among the Khas ethnic majority of the Hindu Himalaya (Himachal Pradesh, India). Centering on embodiments of the goddess in spirit possession séances, it points to a fundamental difference between the popular depiction of the deity as a virgin-child (<i>kanyā</i>) who visits followers in their dreams and her actual manifestation as a menacing mother (<i>mātā</i>) during ritual activities. These ostensibly incongruent images are ultimately bridged by the anthropologically informed edition of the material caught on camera, illustrating the added advantage of documentary filmmaking for approximating religious experiences.Arik MoranMDPI AGarticleethnographic filmexorcismgoddesshimalayahinduismkhasReligions. Mythology. RationalismBL1-2790ENReligions, Vol 12, Iss 1021, p 1021 (2021)
institution DOAJ
collection DOAJ
language EN
topic ethnographic film
exorcism
goddess
himalaya
hinduism
khas
Religions. Mythology. Rationalism
BL1-2790
spellingShingle ethnographic film
exorcism
goddess
himalaya
hinduism
khas
Religions. Mythology. Rationalism
BL1-2790
Arik Moran
Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion
description This paper examines the benefits of ethnographic film for the study of religion. It argues that the exploration of gaps between colloquial descriptions of divinities and their practical manifestation in ritual is instructive of the way religious categories are conceptualized. The argument is developed through an analysis of selected scenes from the documentary <i>AVATARA</i>, a meditation on goddess worship (<i>Śaktism</i>) among the Khas ethnic majority of the Hindu Himalaya (Himachal Pradesh, India). Centering on embodiments of the goddess in spirit possession séances, it points to a fundamental difference between the popular depiction of the deity as a virgin-child (<i>kanyā</i>) who visits followers in their dreams and her actual manifestation as a menacing mother (<i>mātā</i>) during ritual activities. These ostensibly incongruent images are ultimately bridged by the anthropologically informed edition of the material caught on camera, illustrating the added advantage of documentary filmmaking for approximating religious experiences.
format article
author Arik Moran
author_facet Arik Moran
author_sort Arik Moran
title Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion
title_short Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion
title_full Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion
title_fullStr Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion
title_full_unstemmed Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion
title_sort encountering the goddess in the indian himalaya: on the contribution of ethnographic film to the study of religion
publisher MDPI AG
publishDate 2021
url https://doaj.org/article/fc995a646e4c4d589c5bfde2c6ae0872
work_keys_str_mv AT arikmoran encounteringthegoddessintheindianhimalayaonthecontributionofethnographicfilmtothestudyofreligion
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