Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission

This article focuses on the development of the Lebanese documentary film market through an analysis of three movies produced between 2009 and 2010. It shows how the renewal of Lebanese filmmaking benefits from the convergence of two factors: the increase in Arab funding, and the emergence of a new g...

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Auteur principal: Michel Tabet
Format: article
Langue:EN
FR
Publié: Université de Provence 2013
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Accès en ligne:https://doaj.org/article/fd4f68774c74428c9818cf7ba29f059d
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spelling oai:doaj.org-article:fd4f68774c74428c9818cf7ba29f059d2021-12-02T10:06:54ZLe documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission0997-13272105-227110.4000/remmm.8351https://doaj.org/article/fd4f68774c74428c9818cf7ba29f059d2013-12-01T00:00:00Zhttp://journals.openedition.org/remmm/8351https://doaj.org/toc/0997-1327https://doaj.org/toc/2105-2271This article focuses on the development of the Lebanese documentary film market through an analysis of three movies produced between 2009 and 2010. It shows how the renewal of Lebanese filmmaking benefits from the convergence of two factors: the increase in Arab funding, and the emergence of a new generation of filmmakers who, unlike the immediate post-war generation, focuses on the functioning of society rather than on the memory of the conflict.Michel TabetUniversité de ProvencearticleDocumentaryLebanonArab production networkMediasImagesMiddle EastHistory of AfricaDT1-3415Social sciences (General)H1-99ENFRRevue des Mondes Musulmans et de la Méditerranée, Vol 134, Pp 183-194 (2013)
institution DOAJ
collection DOAJ
language EN
FR
topic Documentary
Lebanon
Arab production network
Medias
Images
Middle East
History of Africa
DT1-3415
Social sciences (General)
H1-99
spellingShingle Documentary
Lebanon
Arab production network
Medias
Images
Middle East
History of Africa
DT1-3415
Social sciences (General)
H1-99
Michel Tabet
Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission
description This article focuses on the development of the Lebanese documentary film market through an analysis of three movies produced between 2009 and 2010. It shows how the renewal of Lebanese filmmaking benefits from the convergence of two factors: the increase in Arab funding, and the emergence of a new generation of filmmakers who, unlike the immediate post-war generation, focuses on the functioning of society rather than on the memory of the conflict.
format article
author Michel Tabet
author_facet Michel Tabet
author_sort Michel Tabet
title Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission
title_short Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission
title_full Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission
title_fullStr Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission
title_full_unstemmed Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission
title_sort le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission
publisher Université de Provence
publishDate 2013
url https://doaj.org/article/fd4f68774c74428c9818cf7ba29f059d
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