Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission
This article focuses on the development of the Lebanese documentary film market through an analysis of three movies produced between 2009 and 2010. It shows how the renewal of Lebanese filmmaking benefits from the convergence of two factors: the increase in Arab funding, and the emergence of a new g...
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Université de Provence
2013
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oai:doaj.org-article:fd4f68774c74428c9818cf7ba29f059d2021-12-02T10:06:54ZLe documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission0997-13272105-227110.4000/remmm.8351https://doaj.org/article/fd4f68774c74428c9818cf7ba29f059d2013-12-01T00:00:00Zhttp://journals.openedition.org/remmm/8351https://doaj.org/toc/0997-1327https://doaj.org/toc/2105-2271This article focuses on the development of the Lebanese documentary film market through an analysis of three movies produced between 2009 and 2010. It shows how the renewal of Lebanese filmmaking benefits from the convergence of two factors: the increase in Arab funding, and the emergence of a new generation of filmmakers who, unlike the immediate post-war generation, focuses on the functioning of society rather than on the memory of the conflict.Michel TabetUniversité de ProvencearticleDocumentaryLebanonArab production networkMediasImagesMiddle EastHistory of AfricaDT1-3415Social sciences (General)H1-99ENFRRevue des Mondes Musulmans et de la Méditerranée, Vol 134, Pp 183-194 (2013) |
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Documentary Lebanon Arab production network Medias Images Middle East History of Africa DT1-3415 Social sciences (General) H1-99 |
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Documentary Lebanon Arab production network Medias Images Middle East History of Africa DT1-3415 Social sciences (General) H1-99 Michel Tabet Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission |
description |
This article focuses on the development of the Lebanese documentary film market through an analysis of three movies produced between 2009 and 2010. It shows how the renewal of Lebanese filmmaking benefits from the convergence of two factors: the increase in Arab funding, and the emergence of a new generation of filmmakers who, unlike the immediate post-war generation, focuses on the functioning of society rather than on the memory of the conflict. |
format |
article |
author |
Michel Tabet |
author_facet |
Michel Tabet |
author_sort |
Michel Tabet |
title |
Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission |
title_short |
Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission |
title_full |
Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission |
title_fullStr |
Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission |
title_full_unstemmed |
Le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission |
title_sort |
le documentaire libanais contemporain à travers l’étude de trois films sur l’identité, la nation et la transmission |
publisher |
Université de Provence |
publishDate |
2013 |
url |
https://doaj.org/article/fd4f68774c74428c9818cf7ba29f059d |
work_keys_str_mv |
AT micheltabet ledocumentairelibanaiscontemporainatraversletudedetroisfilmssurlidentitelanationetlatransmission |
_version_ |
1718397686212722688 |