“Pitch the king”: Ben Fountain’s games

In his stories and his novel, Ben Fountain uses games as an epistemological tool. Games allow him to subvert the cultural codes, his satire becoming a political critique of the nation and of US foreign policy, and to operate a fusion of the characters’ voices, as he looks for a collective or transpe...

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Autor principal: Françoise Palleau-Papin
Formato: article
Lenguaje:EN
FR
Publicado: Association Française d'Etudes Américaines 2013
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Acceso en línea:https://doaj.org/article/fda0e954190f4789ab7b4a1b54fd64a8
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spelling oai:doaj.org-article:fda0e954190f4789ab7b4a1b54fd64a82021-12-02T10:15:30Z“Pitch the king”: Ben Fountain’s games1765-276610.4000/transatlantica.6596https://doaj.org/article/fda0e954190f4789ab7b4a1b54fd64a82013-12-01T00:00:00Zhttp://journals.openedition.org/transatlantica/6596https://doaj.org/toc/1765-2766In his stories and his novel, Ben Fountain uses games as an epistemological tool. Games allow him to subvert the cultural codes, his satire becoming a political critique of the nation and of US foreign policy, and to operate a fusion of the characters’ voices, as he looks for a collective or transpersonal expression. He ultimately plays with his readers, inviting them to be active recipients and discoverers.Françoise Palleau-PapinAssociation Française d'Etudes AméricainesarticleBen Fountaingame theorynarratologysatireVodouforeign policyHistory AmericaE-FAmericaE11-143ENFRTransatlantica : Revue d'Études Américaines, Vol 2 (2013)
institution DOAJ
collection DOAJ
language EN
FR
topic Ben Fountain
game theory
narratology
satire
Vodou
foreign policy
History America
E-F
America
E11-143
spellingShingle Ben Fountain
game theory
narratology
satire
Vodou
foreign policy
History America
E-F
America
E11-143
Françoise Palleau-Papin
“Pitch the king”: Ben Fountain’s games
description In his stories and his novel, Ben Fountain uses games as an epistemological tool. Games allow him to subvert the cultural codes, his satire becoming a political critique of the nation and of US foreign policy, and to operate a fusion of the characters’ voices, as he looks for a collective or transpersonal expression. He ultimately plays with his readers, inviting them to be active recipients and discoverers.
format article
author Françoise Palleau-Papin
author_facet Françoise Palleau-Papin
author_sort Françoise Palleau-Papin
title “Pitch the king”: Ben Fountain’s games
title_short “Pitch the king”: Ben Fountain’s games
title_full “Pitch the king”: Ben Fountain’s games
title_fullStr “Pitch the king”: Ben Fountain’s games
title_full_unstemmed “Pitch the king”: Ben Fountain’s games
title_sort “pitch the king”: ben fountain’s games
publisher Association Française d'Etudes Américaines
publishDate 2013
url https://doaj.org/article/fda0e954190f4789ab7b4a1b54fd64a8
work_keys_str_mv AT francoisepalleaupapin pitchthekingbenfountainsgames
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