IMPRESSIONISM, CINEMA AND BERGSONIAN TIME DEFINITION: TRANSFORMATION OF TIME AND SPACE PERCEPTIONS

Modernity have changed and transformed all kinds of social and cultural structure, existing up to its birth. Innovations in artistic expression styles are one of the main cultural transformations, being results of modernity. Impressionism is a start for these transformations in artistic expression....

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Devrim ÖZKAN
Formato: article
Lenguaje:DE
EN
FR
TR
Publicado: Fırat University 2019
Materias:
H
Acceso en línea:https://doaj.org/article/fda1bbff083c42ada91836ad48e44c62
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
Descripción
Sumario:Modernity have changed and transformed all kinds of social and cultural structure, existing up to its birth. Innovations in artistic expression styles are one of the main cultural transformations, being results of modernity. Impressionism is a start for these transformations in artistic expression. Moreover, impressionism has a deep effect on successor art movements. Impressionism has also determined formation of expression styles in visual arts, especially in cinema. In addition, impressionism reflects the effect of relativism, moved a step further with Henri Bergson, in the world of art positively. Thoughts, Bergson developed about reality and time, have a deep effect on the discussions about modern public arts and particularly modern film theories. These thoughts set ground for the belief that visual efficiency of people is not good at understanding the nature of reality as we came across the arts of Jean Epstein, Dziga Vertov and Béla Balázs. These cinema makers, called as visual skeptics, think that weakness of visual efficiency result from abstraction tendency in a way subjects and actions can be understood easily. According to them, reasons for simplification of life world are as follows: abstracting surrounding facts, associating them with previous experiences and accepting them as others experienced. In this sense, relationships between impressionism and expression styles in cinemas are touched upon along with Bergson’s time concept and its effects on visual arts.