Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa
This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. Tone, volume, and arrangement merge with e...
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Universidade de Brasília
2011
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oai:doaj.org-article:fe983f76c41a426687894892ff1eb5cd2021-11-11T15:52:07ZTom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa1518-01582316-4018https://doaj.org/article/fe983f76c41a426687894892ff1eb5cd2011-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127102006https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. Tone, volume, and arrangement merge with each other. They are configured as appearance and absence, in shadow and light, and in voices that modulate silences and protests. The characters’ memories, disconnected and repetitive, are orchestrated according those aesthetic patterns as an attempt to unravel the absurdity of their situation.Regina R. FélixUniversidade de Brasíliaarticleliterature and other artsliterature and trauma literature and existentialismabsurdmemory and aestheticsadriana lisboaFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 37, Pp 93-103 (2011) |
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ES PT |
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literature and other arts literature and trauma literature and existentialism absurd memory and aesthetics adriana lisboa French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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literature and other arts literature and trauma literature and existentialism absurd memory and aesthetics adriana lisboa French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Regina R. Félix Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa |
description |
This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. Tone, volume, and arrangement merge with each other. They are configured as appearance and absence, in shadow and light, and in voices that modulate silences and protests. The characters’ memories, disconnected and repetitive, are orchestrated according those aesthetic patterns as an attempt to unravel the absurdity of their situation. |
format |
article |
author |
Regina R. Félix |
author_facet |
Regina R. Félix |
author_sort |
Regina R. Félix |
title |
Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa |
title_short |
Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa |
title_full |
Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa |
title_fullStr |
Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa |
title_full_unstemmed |
Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa |
title_sort |
tom, volume e arranjo no chiaroscuro da memória: sinfonia em branco, de adriana lisboa |
publisher |
Universidade de Brasília |
publishDate |
2011 |
url |
https://doaj.org/article/fe983f76c41a426687894892ff1eb5cd |
work_keys_str_mv |
AT reginarfelix tomvolumeearranjonochiaroscurodamemoriasinfoniaembrancodeadrianalisboa |
_version_ |
1718433284197711872 |