Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan

This paper analyses the diffusion of Latin imaginaries in Far-eastern Asia during the 20th Century through popular music and dance. An important part of these imaginaries are associated with the crossed cultural dynamics characterizing the development of Nakasi, an extremely popular music genre from...

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Autor principal: Leonardo García
Formato: article
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FR
PT
Publicado: Centre de Recherches sur les Mondes Américains 2014
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Acceso en línea:https://doaj.org/article/fea3ee5e018f4fcc806b57f256328066
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spelling oai:doaj.org-article:fea3ee5e018f4fcc806b57f2563280662021-12-02T10:29:49ZMusiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan1626-025210.4000/nuevomundo.67663https://doaj.org/article/fea3ee5e018f4fcc806b57f2563280662014-12-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/67663https://doaj.org/toc/1626-0252This paper analyses the diffusion of Latin imaginaries in Far-eastern Asia during the 20th Century through popular music and dance. An important part of these imaginaries are associated with the crossed cultural dynamics characterizing the development of Nakasi, an extremely popular music genre from Japan and Taïwan. We will approach here the different aspects of creation, circulation and consuming of a certain global Far-Eastern Latinity particularly in Taiwan, considering the references of a planetary record market as the evolution of local identities, national cultural models and social mobilities.Leonardo GarcíaCentre de Recherches sur les Mondes AméricainsarticleNakasiLatin musicAsiaTaiwanglobalizationimaginaryAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2014)
institution DOAJ
collection DOAJ
language EN
FR
PT
topic Nakasi
Latin music
Asia
Taiwan
globalization
imaginary
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
spellingShingle Nakasi
Latin music
Asia
Taiwan
globalization
imaginary
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
Leonardo García
Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan
description This paper analyses the diffusion of Latin imaginaries in Far-eastern Asia during the 20th Century through popular music and dance. An important part of these imaginaries are associated with the crossed cultural dynamics characterizing the development of Nakasi, an extremely popular music genre from Japan and Taïwan. We will approach here the different aspects of creation, circulation and consuming of a certain global Far-Eastern Latinity particularly in Taiwan, considering the references of a planetary record market as the evolution of local identities, national cultural models and social mobilities.
format article
author Leonardo García
author_facet Leonardo García
author_sort Leonardo García
title Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan
title_short Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan
title_full Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan
title_fullStr Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan
title_full_unstemmed Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan
title_sort musiques populaires et imaginaires latins en extrême-orient : le nakasi à taïwan
publisher Centre de Recherches sur les Mondes Américains
publishDate 2014
url https://doaj.org/article/fea3ee5e018f4fcc806b57f256328066
work_keys_str_mv AT leonardogarcia musiquespopulairesetimaginaireslatinsenextremeorientlenakasiataiwan
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