Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan
This paper analyses the diffusion of Latin imaginaries in Far-eastern Asia during the 20th Century through popular music and dance. An important part of these imaginaries are associated with the crossed cultural dynamics characterizing the development of Nakasi, an extremely popular music genre from...
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Centre de Recherches sur les Mondes Américains
2014
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oai:doaj.org-article:fea3ee5e018f4fcc806b57f2563280662021-12-02T10:29:49ZMusiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan1626-025210.4000/nuevomundo.67663https://doaj.org/article/fea3ee5e018f4fcc806b57f2563280662014-12-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/67663https://doaj.org/toc/1626-0252This paper analyses the diffusion of Latin imaginaries in Far-eastern Asia during the 20th Century through popular music and dance. An important part of these imaginaries are associated with the crossed cultural dynamics characterizing the development of Nakasi, an extremely popular music genre from Japan and Taïwan. We will approach here the different aspects of creation, circulation and consuming of a certain global Far-Eastern Latinity particularly in Taiwan, considering the references of a planetary record market as the evolution of local identities, national cultural models and social mobilities.Leonardo GarcíaCentre de Recherches sur les Mondes AméricainsarticleNakasiLatin musicAsiaTaiwanglobalizationimaginaryAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2014) |
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Nakasi Latin music Asia Taiwan globalization imaginary Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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Nakasi Latin music Asia Taiwan globalization imaginary Anthropology GN1-890 Latin America. Spanish America F1201-3799 Leonardo García Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan |
description |
This paper analyses the diffusion of Latin imaginaries in Far-eastern Asia during the 20th Century through popular music and dance. An important part of these imaginaries are associated with the crossed cultural dynamics characterizing the development of Nakasi, an extremely popular music genre from Japan and Taïwan. We will approach here the different aspects of creation, circulation and consuming of a certain global Far-Eastern Latinity particularly in Taiwan, considering the references of a planetary record market as the evolution of local identities, national cultural models and social mobilities. |
format |
article |
author |
Leonardo García |
author_facet |
Leonardo García |
author_sort |
Leonardo García |
title |
Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan |
title_short |
Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan |
title_full |
Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan |
title_fullStr |
Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan |
title_full_unstemmed |
Musiques populaires et imaginaires latins en Extrême-Orient : Le Nakasi à Taïwan |
title_sort |
musiques populaires et imaginaires latins en extrême-orient : le nakasi à taïwan |
publisher |
Centre de Recherches sur les Mondes Américains |
publishDate |
2014 |
url |
https://doaj.org/article/fea3ee5e018f4fcc806b57f256328066 |
work_keys_str_mv |
AT leonardogarcia musiquespopulairesetimaginaireslatinsenextremeorientlenakasiataiwan |
_version_ |
1718397216169656320 |