Construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo

To found the nation as a political speech implied spreading cinema as a cultural phenomenon in different means. The ideas that explained and illustrated the meaning of the Mexican nation were widely known through radio and cinema during last century. The cinema was particularly used to collaborate c...

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Autor principal:	Carlos García Benítez
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2013
Materias:	cinema nation identity symbols filmic aesthetics. Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/feda8804a7874265b6ef3f017f8a35e8
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id	oai:doaj.org-article:feda8804a7874265b6ef3f017f8a35e8
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spelling	oai:doaj.org-article:feda8804a7874265b6ef3f017f8a35e82021-12-02T10:32:32ZConstrucción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo1626-025210.4000/nuevomundo.65708https://doaj.org/article/feda8804a7874265b6ef3f017f8a35e82013-09-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/65708https://doaj.org/toc/1626-0252To found the nation as a political speech implied spreading cinema as a cultural phenomenon in different means. The ideas that explained and illustrated the meaning of the Mexican nation were widely known through radio and cinema during last century. The cinema was particularly used to collaborate creating a national identity. This was possible because, it appeared a group of symbolic repertoires in different movies that served for “to look and to recognize to the nation”, among other narrative resources, especially in the so called Golden Age of Mexican cinema. Inside this symbolic universe, those symbols identified as the foundational signs of the homeland appeared, usually in a exalted way thematically and in cinematographic language. However, in a politically changing time as these days, the uses of the symbolic repertoires of the nation have found also other uses, where its privileged situation stopped being the same, even to the degree of seeing their own critique. That happens in the Mexican contemporary cinema’s expression, and we will try to explain it in the present essay.Carlos García BenítezCentre de Recherches sur les Mondes Américainsarticlecinemanationidentitysymbolsfilmic aesthetics.AnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2013)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	cinema nation identity symbols filmic aesthetics. Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	cinema nation identity symbols filmic aesthetics. Anthropology GN1-890 Latin America. Spanish America F1201-3799 Carlos García Benítez Construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo
description	To found the nation as a political speech implied spreading cinema as a cultural phenomenon in different means. The ideas that explained and illustrated the meaning of the Mexican nation were widely known through radio and cinema during last century. The cinema was particularly used to collaborate creating a national identity. This was possible because, it appeared a group of symbolic repertoires in different movies that served for “to look and to recognize to the nation”, among other narrative resources, especially in the so called Golden Age of Mexican cinema. Inside this symbolic universe, those symbols identified as the foundational signs of the homeland appeared, usually in a exalted way thematically and in cinematographic language. However, in a politically changing time as these days, the uses of the symbolic repertoires of the nation have found also other uses, where its privileged situation stopped being the same, even to the degree of seeing their own critique. That happens in the Mexican contemporary cinema’s expression, and we will try to explain it in the present essay.
format	article
author	Carlos García Benítez
author_facet	Carlos García Benítez
author_sort	Carlos García Benítez
title	Construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo
title_short	Construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo
title_full	Construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo
title_fullStr	Construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo
title_full_unstemmed	Construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo
title_sort	construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2013
url	https://doaj.org/article/feda8804a7874265b6ef3f017f8a35e8
work_keys_str_mv	AT carlosgarciabenitez construccionentronizacionydegradaciondelossimbolosdelaidentidadnacionalenelcinemexicanocontemporaneo
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Construcción, entronización y degradación de los símbolos de la identidad nacional en el cine mexicano contemporáneo

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