Hero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”

The article is devoted to the study of the features of the hero-somnambulist in V. V. Nabokov’s novel “Transparent Things” and the specifics of the writer’s appeal to the theme of magnetism and somnambulism in his works. The study briefly examines the history of the formation of sustainable interest...

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Autor principal:	E. G. Nikolayeva
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2019
Materias:	nabokov transparent things somnambulism sleepwalking magnetism sleep motif death motif flight motif creativity motif automatism intertextual links metaliterature Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/fedeb6f62f3b44a484a2aefe7ff021ed
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id	oai:doaj.org-article:fedeb6f62f3b44a484a2aefe7ff021ed
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spelling	oai:doaj.org-article:fedeb6f62f3b44a484a2aefe7ff021ed2021-12-02T07:58:06ZHero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”2225-756X2227-129510.24224/2227-1295-2019-3-176-191https://doaj.org/article/fedeb6f62f3b44a484a2aefe7ff021ed2019-03-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1106https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to the study of the features of the hero-somnambulist in V. V. Nabokov’s novel “Transparent Things” and the specifics of the writer’s appeal to the theme of magnetism and somnambulism in his works. The study briefly examines the history of the formation of sustainable interest in this topic in Europe, the United States and Russia in the 18th-20th centuries. The review of literary works concerning the theme of sleepwalking in Nabokov’s works and the reasons for the writer’s appeal to it is carried out. The paper shows the connection between somnambulism and ‘automatism,” “mechanicalness,” which Nabokov often refers to romantic tradition and German cinema. The article describes the ways of introducing the “magic” and its functions into the novel. In particular, special attention is paid to the intertextual potential of the fragments associated with magnetism, levitation, sleepwalking, etc. Reminiscences of the works by M. Yu. Lermontov, F. M. Dostoevsky, L. N. Tolstoy, F. Sologub are described. The emphasis is on the metaliterature comprehension of a number of fragments related to the motives of sleep and death. The specificity of the implementation in the novel of paradigm of sleep - death - flight - creativity and opposition gravity ( earth’s gravity ) - lightness ( flight ) is revealed.E. G. NikolayevaTsentr nauchnykh i obrazovatelnykh proektovarticlenabokovtransparent thingssomnambulismsleepwalkingmagnetismsleep motifdeath motifflight motifcreativity motifautomatismintertextual linksmetaliteratureSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 3, Pp 176-191 (2019)
institution	DOAJ
collection	DOAJ
language	RU
topic	nabokov transparent things somnambulism sleepwalking magnetism sleep motif death motif flight motif creativity motif automatism intertextual links metaliterature Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	nabokov transparent things somnambulism sleepwalking magnetism sleep motif death motif flight motif creativity motif automatism intertextual links metaliterature Slavic languages. Baltic languages. Albanian languages PG1-9665 E. G. Nikolayeva Hero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”
description	The article is devoted to the study of the features of the hero-somnambulist in V. V. Nabokov’s novel “Transparent Things” and the specifics of the writer’s appeal to the theme of magnetism and somnambulism in his works. The study briefly examines the history of the formation of sustainable interest in this topic in Europe, the United States and Russia in the 18th-20th centuries. The review of literary works concerning the theme of sleepwalking in Nabokov’s works and the reasons for the writer’s appeal to it is carried out. The paper shows the connection between somnambulism and ‘automatism,” “mechanicalness,” which Nabokov often refers to romantic tradition and German cinema. The article describes the ways of introducing the “magic” and its functions into the novel. In particular, special attention is paid to the intertextual potential of the fragments associated with magnetism, levitation, sleepwalking, etc. Reminiscences of the works by M. Yu. Lermontov, F. M. Dostoevsky, L. N. Tolstoy, F. Sologub are described. The emphasis is on the metaliterature comprehension of a number of fragments related to the motives of sleep and death. The specificity of the implementation in the novel of paradigm of sleep - death - flight - creativity and opposition gravity ( earth’s gravity ) - lightness ( flight ) is revealed.
format	article
author	E. G. Nikolayeva
author_facet	E. G. Nikolayeva
author_sort	E. G. Nikolayeva
title	Hero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”
title_short	Hero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”
title_full	Hero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”
title_fullStr	Hero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”
title_full_unstemmed	Hero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”
title_sort	hero-somnambulist in v. v. nabokov’s novel “transparent things”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2019
url	https://doaj.org/article/fedeb6f62f3b44a484a2aefe7ff021ed
work_keys_str_mv	AT egnikolayeva herosomnambulistinvvnabokovsnoveltransparentthings
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Hero-Somnambulist in V. V. Nabokov’s Novel “Transparent Things”

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