Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films
A self-taught filmmaker working with very low budgets, fascinated with Hollywood’s glamor as well as exploitation and underground cinema, John Waters has appropriated techniques and modes of production, distribution and promotion specific to exploitation from the beginning of his career in the late...
Saved in:
Main Author: | Elise Pereira Nunes |
---|---|
Format: | article |
Language: | EN FR |
Published: |
Association Française d'Etudes Américaines
2016
|
Subjects: | |
Online Access: | https://doaj.org/article/fef9afc6778e453483de7e98c3c151fd |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Marie-Christine Lemardeley. John Steinbeck. L’Eden perdu.
by: André Bleikasten
Published: (2006) -
The Freak and ‘Disabled’ Multiculturality
by: Elisa Bordin
Published: (2021) -
Conference “(Hi)stories of American Women: Writings and Rewritings”
by: Élise Vallier
Published: (2013) -
H. Richard Uviller and William G. Merkel. The Militia And The Right To Arms, Or, How The Second Amendment Fell Silent.
by: Elisabeth Boulot
Published: (2006) -
T.R. Reid, The Healing of America: A Global Quest for Better, Cheaper, and Fairer Health Care, New York, The Penguin Press, 2009, 277p
by: Éveline Thévenard
Published: (2010)