Curating As a Brand Design Tool in Creative Organizations
Today the role of curating extends beyond the museum field: websites are curated, commercial firms establish functional roles entitled “curator”, and individuals in the creative economy use social media platforms to curate their lives and cultural product as brands. Curating has been extended and e...
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Centro de Diseño, Cine y Television
2014
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oai:doaj.org-article:ff54637f65e94c038310a819d0fe72492021-11-19T07:26:35ZCurating As a Brand Design Tool in Creative Organizations10.46840/ec.2014.02.032594-16312395-8200https://doaj.org/article/ff54637f65e94c038310a819d0fe72492014-10-01T00:00:00Zhttp://ciecpress.centro.edu.mx/ojs/index.php/CentroTI/article/view/244https://doaj.org/toc/2594-1631https://doaj.org/toc/2395-8200 Today the role of curating extends beyond the museum field: websites are curated, commercial firms establish functional roles entitled “curator”, and individuals in the creative economy use social media platforms to curate their lives and cultural product as brands. Curating has been extended and elevated today because design has become a more critical and integrative factor in brand development on both the organizational and individual levels (Kennedy, 2012). Curating is one way to manage the brand’s meaning. It is a chaordic system (Hock, 2005; van Einatten, 2001) that situates the complex process of editing, merchandising and documenting the brand’s offering in co-created situations with the customer. Yet, the literature is lacking in explicitly exploring and documenting how curating is used in branding. Natalie NixonIrini PitsakAlison RiepleCentro de Diseño, Cine y Televisionarticlecuratebrandsdesigncreative organizationsEconomic theory. DemographyHB1-3840Social sciences (General)H1-99ENESEconomia Creativa, Iss 2 (2014) |
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curate brands design creative organizations Economic theory. Demography HB1-3840 Social sciences (General) H1-99 |
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curate brands design creative organizations Economic theory. Demography HB1-3840 Social sciences (General) H1-99 Natalie Nixon Irini Pitsak Alison Rieple Curating As a Brand Design Tool in Creative Organizations |
description |
Today the role of curating extends beyond the museum field: websites are curated, commercial firms establish functional roles entitled “curator”, and individuals in the creative economy use social media platforms to curate their lives and cultural product as brands. Curating has been extended and elevated today because design has become a more critical and integrative factor in brand development on both the organizational and individual levels (Kennedy, 2012). Curating is one way to manage the brand’s meaning. It is a chaordic system (Hock, 2005; van Einatten, 2001) that situates the complex process of editing, merchandising and documenting the brand’s offering in co-created situations with the customer. Yet, the literature is lacking in explicitly exploring and documenting how curating is used in branding.
|
format |
article |
author |
Natalie Nixon Irini Pitsak Alison Rieple |
author_facet |
Natalie Nixon Irini Pitsak Alison Rieple |
author_sort |
Natalie Nixon |
title |
Curating As a Brand Design Tool in Creative Organizations |
title_short |
Curating As a Brand Design Tool in Creative Organizations |
title_full |
Curating As a Brand Design Tool in Creative Organizations |
title_fullStr |
Curating As a Brand Design Tool in Creative Organizations |
title_full_unstemmed |
Curating As a Brand Design Tool in Creative Organizations |
title_sort |
curating as a brand design tool in creative organizations |
publisher |
Centro de Diseño, Cine y Television |
publishDate |
2014 |
url |
https://doaj.org/article/ff54637f65e94c038310a819d0fe7249 |
work_keys_str_mv |
AT natalienixon curatingasabranddesigntoolincreativeorganizations AT irinipitsak curatingasabranddesigntoolincreativeorganizations AT alisonrieple curatingasabranddesigntoolincreativeorganizations |
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