Fragmentation of Modern Artistic Narrative (English-Language Prose)

The question of the role, forms and functions of fragmentation of modern artistic narra tive is considered. The results of the analy sis of the fragmentary narrative of the works of contemporary  English-speaking  authors (J.   Barnes,   D.   Mitchell,   M. Cunningham, I. Banks, J. Franzen, S. Faulk...

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Autores principales: G. I. Lushnikova, T. Yu. Osadchaya
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2021
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Acceso en línea:https://doaj.org/article/ffa71ec993494d2faf1b20bcafd8bf05
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spelling oai:doaj.org-article:ffa71ec993494d2faf1b20bcafd8bf052021-12-02T07:58:14ZFragmentation of Modern Artistic Narrative (English-Language Prose)2225-756X2227-129510.24224/2227-1295-2021-6-225-239https://doaj.org/article/ffa71ec993494d2faf1b20bcafd8bf052021-06-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/2803https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The question of the role, forms and functions of fragmentation of modern artistic narra tive is considered. The results of the analy sis of the fragmentary narrative of the works of contemporary  English-speaking  authors (J.   Barnes,   D.   Mitchell,   M. Cunningham, I. Banks, J. Franzen, S. Faulks, J. Eugenides, A. Smith, J. McGregor and others) are presented. The relevance of the study is due to the fact that in the modern literature of the postmodernist direction, nonlinearity of narration, deliberate mixing of temporal, local, descriptive and other layers are becoming widespread, practically becoming the norm. The novelty of the research is seen in the fact that the fragmentation of a literary text is studied at different levels — compositional, content-thematic, plot, ideological-figurative, genre, narrative, chronotopic. It has been proved that the forms of implementation of fragmentariness are quite diverse: irregular division of the text, heterogeneity of themes and ideas, lack of linear development of the plot, combination of elements of different genres, the presence of internal polystylism, the use of different types of narration and narrator, violation of the unity of the chronotope. The analysis of specific material showed that the functions of a fragmentary narrative are determined by each specific context, the leading ones being the impact on the reader, the management of his attention, the placement of accents according to the writer's intention, the creation of the impression of authenticity and reliability.G. I. LushnikovaT. Yu. OsadchayaTsentr nauchnykh i obrazovatelnykh proektovarticleartistic narrativeenglish-language literaturefragmented narrativeirregular division of the textvariety of topicsgenre mixingnonlinearity of the narrativepolystylismSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 6, Pp 225-239 (2021)
institution DOAJ
collection DOAJ
language RU
topic artistic narrative
english-language literature
fragmented narrative
irregular division of the text
variety of topics
genre mixing
nonlinearity of the narrative
polystylism
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle artistic narrative
english-language literature
fragmented narrative
irregular division of the text
variety of topics
genre mixing
nonlinearity of the narrative
polystylism
Slavic languages. Baltic languages. Albanian languages
PG1-9665
G. I. Lushnikova
T. Yu. Osadchaya
Fragmentation of Modern Artistic Narrative (English-Language Prose)
description The question of the role, forms and functions of fragmentation of modern artistic narra tive is considered. The results of the analy sis of the fragmentary narrative of the works of contemporary  English-speaking  authors (J.   Barnes,   D.   Mitchell,   M. Cunningham, I. Banks, J. Franzen, S. Faulks, J. Eugenides, A. Smith, J. McGregor and others) are presented. The relevance of the study is due to the fact that in the modern literature of the postmodernist direction, nonlinearity of narration, deliberate mixing of temporal, local, descriptive and other layers are becoming widespread, practically becoming the norm. The novelty of the research is seen in the fact that the fragmentation of a literary text is studied at different levels — compositional, content-thematic, plot, ideological-figurative, genre, narrative, chronotopic. It has been proved that the forms of implementation of fragmentariness are quite diverse: irregular division of the text, heterogeneity of themes and ideas, lack of linear development of the plot, combination of elements of different genres, the presence of internal polystylism, the use of different types of narration and narrator, violation of the unity of the chronotope. The analysis of specific material showed that the functions of a fragmentary narrative are determined by each specific context, the leading ones being the impact on the reader, the management of his attention, the placement of accents according to the writer's intention, the creation of the impression of authenticity and reliability.
format article
author G. I. Lushnikova
T. Yu. Osadchaya
author_facet G. I. Lushnikova
T. Yu. Osadchaya
author_sort G. I. Lushnikova
title Fragmentation of Modern Artistic Narrative (English-Language Prose)
title_short Fragmentation of Modern Artistic Narrative (English-Language Prose)
title_full Fragmentation of Modern Artistic Narrative (English-Language Prose)
title_fullStr Fragmentation of Modern Artistic Narrative (English-Language Prose)
title_full_unstemmed Fragmentation of Modern Artistic Narrative (English-Language Prose)
title_sort fragmentation of modern artistic narrative (english-language prose)
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2021
url https://doaj.org/article/ffa71ec993494d2faf1b20bcafd8bf05
work_keys_str_mv AT gilushnikova fragmentationofmodernartisticnarrativeenglishlanguageprose
AT tyuosadchaya fragmentationofmodernartisticnarrativeenglishlanguageprose
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