“About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist

The article is devoted to the literary and philosophical origins of Sergei Durylin’s report “On a Symbol in Dostoevsky” (the report was read in 1926 at a meeting of the Commission for the Study of Dostoevsky at the Literary Section of GAKhN). The history of the report in the context of the Literary...

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Autor principal: Anna I. Reznichenko
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Publicado: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2021
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spelling oai:doaj.org-article:ffc9a72b107848d4bcd3896243650bef2021-12-02T19:45:35Z“About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist10.22455/2619-0311-2021-3-238-2592619-03112712-8512https://doaj.org/article/ffc9a72b107848d4bcd3896243650bef2021-09-01T00:00:00Zhttp://dostmirkult.ru/images/2021-3/10_Reznichenko_238-259.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512The article is devoted to the literary and philosophical origins of Sergei Durylin’s report “On a Symbol in Dostoevsky” (the report was read in 1926 at a meeting of the Commission for the Study of Dostoevsky at the Literary Section of GAKhN). The history of the report in the context of the Literary Section is considered. Аbstracts and debates on the report are published for the first time. The relationship of Durylin’s ideas with the complex of Dostoevsky’s interpretations, developed by both the Symbolists (G.I. Chulkov) and Russian religious philosophers (P.A. Florensky, A.F. Losev) is shown. Both the report “On a Symbol in Dostoevsky’s” and the subsequent report “Landscape in Dostoevsky’s” are devoted to an anthropological and Christological story, connected with the symbolism of the setting sun, the symbolism of “oblique rays”, and its embodiment in Dostoevsky’s novels. Both texts are a continuation and a development of the same theme. A landscape is an artist’s mapping of nature, the created world; interiors are the artist’s image of the anthropomorphic world, the human space. The ontological symbol receives its sociocultural projection: a landscape or an interior. The problem of the relationship between the mapping/image and the object of the image, the problem of the ontological status of reality and its embodiment in the artistic/mythopoetic language, reflected in the report, corresponded to the focus of GAKhN on the development of a new “language of things” and a new concept of the humanitarian knowledge. The article is timed to coincide with the 200th anniversary of F.M. Dostoevsky, the 135th anniversary of S.N. Durylin, and the 100th anniversary of GAKhN.Anna I. ReznichenkoRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticledostoevskydurylingakhn“oblique rays of the setting sun”symbollandscapeanthropologyontologyaestheticsSlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 3, Pp 238-259 (2021)
institution DOAJ
collection DOAJ
language EN
RU
topic dostoevsky
durylin
gakhn
“oblique rays of the setting sun”
symbol
landscape
anthropology
ontology
aesthetics
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle dostoevsky
durylin
gakhn
“oblique rays of the setting sun”
symbol
landscape
anthropology
ontology
aesthetics
Slavic languages. Baltic languages. Albanian languages
PG1-9665
Anna I. Reznichenko
“About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist
description The article is devoted to the literary and philosophical origins of Sergei Durylin’s report “On a Symbol in Dostoevsky” (the report was read in 1926 at a meeting of the Commission for the Study of Dostoevsky at the Literary Section of GAKhN). The history of the report in the context of the Literary Section is considered. Аbstracts and debates on the report are published for the first time. The relationship of Durylin’s ideas with the complex of Dostoevsky’s interpretations, developed by both the Symbolists (G.I. Chulkov) and Russian religious philosophers (P.A. Florensky, A.F. Losev) is shown. Both the report “On a Symbol in Dostoevsky’s” and the subsequent report “Landscape in Dostoevsky’s” are devoted to an anthropological and Christological story, connected with the symbolism of the setting sun, the symbolism of “oblique rays”, and its embodiment in Dostoevsky’s novels. Both texts are a continuation and a development of the same theme. A landscape is an artist’s mapping of nature, the created world; interiors are the artist’s image of the anthropomorphic world, the human space. The ontological symbol receives its sociocultural projection: a landscape or an interior. The problem of the relationship between the mapping/image and the object of the image, the problem of the ontological status of reality and its embodiment in the artistic/mythopoetic language, reflected in the report, corresponded to the focus of GAKhN on the development of a new “language of things” and a new concept of the humanitarian knowledge. The article is timed to coincide with the 200th anniversary of F.M. Dostoevsky, the 135th anniversary of S.N. Durylin, and the 100th anniversary of GAKhN.
format article
author Anna I. Reznichenko
author_facet Anna I. Reznichenko
author_sort Anna I. Reznichenko
title “About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist
title_short “About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist
title_full “About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist
title_fullStr “About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist
title_full_unstemmed “About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist
title_sort “about a symbol”: genesis and parallels. article two. dostoevsky as a symbolist
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate 2021
url https://doaj.org/article/ffc9a72b107848d4bcd3896243650bef
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