ORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE

This article aims to establish a philosophical and cultural understanding of the most representative ideas of contemporary feeling and existence. In the works of the spanish philosopher José Ortega y Gasset (1893-1955), which is one prominent Iberian thinker, there exists a very interesting projecti...

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Autor principal: CARLOS GOMES
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Publicado: Universidad Nacional de Colombia 2018
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Acceso en línea:https://doaj.org/article/fff53a4090e6493886969a0efacd717d
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spelling oai:doaj.org-article:fff53a4090e6493886969a0efacd717d2021-11-11T15:18:39ZORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE0120-00622011-366810.15446/ideasyvalores.v67n168.59512https://doaj.org/article/fff53a4090e6493886969a0efacd717d2018-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=80958919002https://doaj.org/toc/0120-0062https://doaj.org/toc/2011-3668This article aims to establish a philosophical and cultural understanding of the most representative ideas of contemporary feeling and existence. In the works of the spanish philosopher José Ortega y Gasset (1893-1955), which is one prominent Iberian thinker, there exists a very interesting projective reflection of the figure of culture in the twentieth century, in consonance with Oswald Spengler's pessimistic thought. What they both have in common is the existential need to decipher the signs of the times we live in. Because of this, Ortega recovers common philosophical and sociogical topics such as life, massification, hedonism, and nihilism, which Gilles Lipovetsky uses in order to ground the new paradigm of hypermodernity based on artistic (trans-aesthetic) capitalism.CARLOS GOMESUniversidad Nacional de ColombiaarticlealienationculturehypermodernitymassificationPhilosophy. Psychology. ReligionBPhilosophy (General)B1-5802ENESPTIdeas y Valores, Vol 67, Iss 168, Pp 43-57 (2018)
institution DOAJ
collection DOAJ
language EN
ES
PT
topic alienation
culture
hypermodernity
massification
Philosophy. Psychology. Religion
B
Philosophy (General)
B1-5802
spellingShingle alienation
culture
hypermodernity
massification
Philosophy. Psychology. Religion
B
Philosophy (General)
B1-5802
CARLOS GOMES
ORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE
description This article aims to establish a philosophical and cultural understanding of the most representative ideas of contemporary feeling and existence. In the works of the spanish philosopher José Ortega y Gasset (1893-1955), which is one prominent Iberian thinker, there exists a very interesting projective reflection of the figure of culture in the twentieth century, in consonance with Oswald Spengler's pessimistic thought. What they both have in common is the existential need to decipher the signs of the times we live in. Because of this, Ortega recovers common philosophical and sociogical topics such as life, massification, hedonism, and nihilism, which Gilles Lipovetsky uses in order to ground the new paradigm of hypermodernity based on artistic (trans-aesthetic) capitalism.
format article
author CARLOS GOMES
author_facet CARLOS GOMES
author_sort CARLOS GOMES
title ORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE
title_short ORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE
title_full ORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE
title_fullStr ORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE
title_full_unstemmed ORTEGA Y GASSET: NO CAMINHO DA HIPERMODERNIDADE.UMA VISÃO PROJETIVA DA CONTEMPORANEIDADE
title_sort ortega y gasset: no caminho da hipermodernidade.uma visão projetiva da contemporaneidade
publisher Universidad Nacional de Colombia
publishDate 2018
url https://doaj.org/article/fff53a4090e6493886969a0efacd717d
work_keys_str_mv AT carlosgomes ortegaygassetnocaminhodahipermodernidadeumavisaoprojetivadacontemporaneidade
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