El cuerpo humano en el "Moisés" de Miguel Ángel
What grips us so powerfully to a work of art is the artist's intention, if he succeeds to express it in his work and we are able to understand it. Michelangelo's Moses established the essential structures of an animate organism and the embodiment of consciousness in the world. Since the bo...
Guardado en:
| Autor principal: | |
|---|---|
| Lenguaje: | Spanish / Castilian |
| Publicado: |
Sociedad Médica de Santiago
2013
|
| Materias: | |
| Acceso en línea: | http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872013001000012 |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| id |
oai:scielo:S0034-98872013001000012 |
|---|---|
| record_format |
dspace |
| spelling |
oai:scielo:S0034-988720130010000122014-10-10El cuerpo humano en el "Moisés" de Miguel ÁngelFigueroa,Gustavo Anatomy, artistic Human body Psychology Sculpture What grips us so powerfully to a work of art is the artist's intention, if he succeeds to express it in his work and we are able to understand it. Michelangelo's Moses established the essential structures of an animate organism and the embodiment of consciousness in the world. Since the body is an expressive unit, it is possible to reconstruct a highly feasible sequence of movements that might have preceded the moment caught in the statue. It is an expression of the highest ideal of mental and spiritual achievement through the controlled tension between action and restraint. The phenomenon of embodiment and feeling the body as own is the basis of concrete human existence.info:eu-repo/semantics/openAccessSociedad Médica de SantiagoRevista médica de Chile v.141 n.10 20132013-10-01text/htmlhttp://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872013001000012es10.4067/S0034-98872013001000012 |
| institution |
Scielo Chile |
| collection |
Scielo Chile |
| language |
Spanish / Castilian |
| topic |
Anatomy, artistic Human body Psychology Sculpture |
| spellingShingle |
Anatomy, artistic Human body Psychology Sculpture Figueroa,Gustavo El cuerpo humano en el "Moisés" de Miguel Ángel |
| description |
What grips us so powerfully to a work of art is the artist's intention, if he succeeds to express it in his work and we are able to understand it. Michelangelo's Moses established the essential structures of an animate organism and the embodiment of consciousness in the world. Since the body is an expressive unit, it is possible to reconstruct a highly feasible sequence of movements that might have preceded the moment caught in the statue. It is an expression of the highest ideal of mental and spiritual achievement through the controlled tension between action and restraint. The phenomenon of embodiment and feeling the body as own is the basis of concrete human existence. |
| author |
Figueroa,Gustavo |
| author_facet |
Figueroa,Gustavo |
| author_sort |
Figueroa,Gustavo |
| title |
El cuerpo humano en el "Moisés" de Miguel Ángel |
| title_short |
El cuerpo humano en el "Moisés" de Miguel Ángel |
| title_full |
El cuerpo humano en el "Moisés" de Miguel Ángel |
| title_fullStr |
El cuerpo humano en el "Moisés" de Miguel Ángel |
| title_full_unstemmed |
El cuerpo humano en el "Moisés" de Miguel Ángel |
| title_sort |
el cuerpo humano en el "moisés" de miguel ángel |
| publisher |
Sociedad Médica de Santiago |
| publishDate |
2013 |
| url |
http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872013001000012 |
| work_keys_str_mv |
AT figueroagustavo elcuerpohumanoenelmoisesdemiguelangel |
| _version_ |
1718436717769261056 |