Realismo pictórico y medicina: las dos clínicas quirúrgicas de Thomas Eakins

Realism is a painting style that began with Millet and Courbet in politically convulsed France in the middle of the nineteenth century. In the second half of that century, the pragmatic and democratic tradition of the United States fostered the careers of many realist painters, including that of Tho...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Cabello C,Felipe
Lenguaje:Spanish / Castilian
Publicado: Sociedad Médica de Santiago 2015
Materias:
Acceso en línea:http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872015000600012
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:scielo:S0034-98872015000600012
record_format dspace
spelling oai:scielo:S0034-988720150006000122015-10-19Realismo pictórico y medicina: las dos clínicas quirúrgicas de Thomas EakinsCabello C,Felipe Asepsis Medical history Surgery Thomas Eakins Realism is a painting style that began with Millet and Courbet in politically convulsed France in the middle of the nineteenth century. In the second half of that century, the pragmatic and democratic tradition of the United States fostered the careers of many realist painters, including that of Thomas Eakins. Eakins, trained in France, developed his career completely associated with Philadelphia at a time when this city was in the vanguard of American emerging industry, culture and medicine. Eakins "The clinic of Dr. Gross" and the "The clinic of Dr. Agnew" are icons of these developments and symbolize a perfect union of art and medicine. Both paintings permit the viewer to appreciate the artist's mastery, originality and Americanism while simultaneously tracking the progress of surgery as evidenced by the introduction of asepsis, anesthesia and nursing. Eakins mastery is revealed by its use of some European Old Masters approaches to portray medical professionals undertaking their daily duties in their work environments with critical and unadorned vision. This combination of vision and skills led Eakins to create a highly original yet analytical art. Unfortunately, his representations were far ahead of his time and resulted in under appreciation of his paintings and a censorious reaction to their content. His contemporaries rejection of Eakins work negatively affected his career as a painter, as a teacher and even his private life. This judgment was overturned in subsequent years and by the twentieth century Eakins was recognized as an American master without parallel.info:eu-repo/semantics/openAccessSociedad Médica de SantiagoRevista médica de Chile v.143 n.6 20152015-06-01text/htmlhttp://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872015000600012es10.4067/S0034-98872015000600012
institution Scielo Chile
collection Scielo Chile
language Spanish / Castilian
topic Asepsis
Medical history
Surgery
Thomas Eakins
spellingShingle Asepsis
Medical history
Surgery
Thomas Eakins
Cabello C,Felipe
Realismo pictórico y medicina: las dos clínicas quirúrgicas de Thomas Eakins
description Realism is a painting style that began with Millet and Courbet in politically convulsed France in the middle of the nineteenth century. In the second half of that century, the pragmatic and democratic tradition of the United States fostered the careers of many realist painters, including that of Thomas Eakins. Eakins, trained in France, developed his career completely associated with Philadelphia at a time when this city was in the vanguard of American emerging industry, culture and medicine. Eakins "The clinic of Dr. Gross" and the "The clinic of Dr. Agnew" are icons of these developments and symbolize a perfect union of art and medicine. Both paintings permit the viewer to appreciate the artist's mastery, originality and Americanism while simultaneously tracking the progress of surgery as evidenced by the introduction of asepsis, anesthesia and nursing. Eakins mastery is revealed by its use of some European Old Masters approaches to portray medical professionals undertaking their daily duties in their work environments with critical and unadorned vision. This combination of vision and skills led Eakins to create a highly original yet analytical art. Unfortunately, his representations were far ahead of his time and resulted in under appreciation of his paintings and a censorious reaction to their content. His contemporaries rejection of Eakins work negatively affected his career as a painter, as a teacher and even his private life. This judgment was overturned in subsequent years and by the twentieth century Eakins was recognized as an American master without parallel.
author Cabello C,Felipe
author_facet Cabello C,Felipe
author_sort Cabello C,Felipe
title Realismo pictórico y medicina: las dos clínicas quirúrgicas de Thomas Eakins
title_short Realismo pictórico y medicina: las dos clínicas quirúrgicas de Thomas Eakins
title_full Realismo pictórico y medicina: las dos clínicas quirúrgicas de Thomas Eakins
title_fullStr Realismo pictórico y medicina: las dos clínicas quirúrgicas de Thomas Eakins
title_full_unstemmed Realismo pictórico y medicina: las dos clínicas quirúrgicas de Thomas Eakins
title_sort realismo pictórico y medicina: las dos clínicas quirúrgicas de thomas eakins
publisher Sociedad Médica de Santiago
publishDate 2015
url http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872015000600012
work_keys_str_mv AT cabellocfelipe realismopictoricoymedicinalasdosclinicasquirurgicasdethomaseakins
_version_ 1718436827102183424