El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel Ángel
According to bioethics, life is a fundamental but not an absolute good. Therefore the value of a person resides in being alive, no matter in which state such person is. The concept of brain death is legally and ethically accepted as the definition of death. In artworks, human beings are revealed as...
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| Lenguaje: | Spanish / Castilian |
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Sociedad Médica de Santiago
2016
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| Acceso en línea: | http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872016000200013 |
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oai:scielo:S0034-988720160002000132016-04-13El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel ÁngelFigueroa,Gustavo Bioethics Brain Death Corpse Euthanasia Medicine in Art According to bioethics, life is a fundamental but not an absolute good. Therefore the value of a person resides in being alive, no matter in which state such person is. The concept of brain death is legally and ethically accepted as the definition of death. In artworks, human beings are revealed as they are. Michelangelo’s Pietà Rondanini captures and captures what a human corpse is, in its most intimate appearance. The artist boldly reveals its essence.info:eu-repo/semantics/openAccessSociedad Médica de SantiagoRevista médica de Chile v.144 n.2 20162016-02-01text/htmlhttp://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872016000200013es10.4067/S0034-98872016000200013 |
| institution |
Scielo Chile |
| collection |
Scielo Chile |
| language |
Spanish / Castilian |
| topic |
Bioethics Brain Death Corpse Euthanasia Medicine in Art |
| spellingShingle |
Bioethics Brain Death Corpse Euthanasia Medicine in Art Figueroa,Gustavo El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel Ángel |
| description |
According to bioethics, life is a fundamental but not an absolute good. Therefore the value of a person resides in being alive, no matter in which state such person is. The concept of brain death is legally and ethically accepted as the definition of death. In artworks, human beings are revealed as they are. Michelangelo’s Pietà Rondanini captures and captures what a human corpse is, in its most intimate appearance. The artist boldly reveals its essence. |
| author |
Figueroa,Gustavo |
| author_facet |
Figueroa,Gustavo |
| author_sort |
Figueroa,Gustavo |
| title |
El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel Ángel |
| title_short |
El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel Ángel |
| title_full |
El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel Ángel |
| title_fullStr |
El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel Ángel |
| title_full_unstemmed |
El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel Ángel |
| title_sort |
el cadáver humano en el arte y la bioética: la pietà rondanini de miguel ángel |
| publisher |
Sociedad Médica de Santiago |
| publishDate |
2016 |
| url |
http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0034-98872016000200013 |
| work_keys_str_mv |
AT figueroagustavo elcadaverhumanoenelarteylabioeticalapietarondaninidemiguelangel |
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1718436867271032832 |