Rhythm as iconic self reference: a brief definition and some possible consequences

This paper's main goal is to show that rhythm can be defined and understood, in Peircean terminology, as iconic self-reference. This bears the immediate consequence that rhythm offers a way of -temporarily- escaping the process of unlimited semiosis (CP 2,303; 2,92). Within rhythm, iconic self-...

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Autor principal:	Mazzucchelli,Aldo
Lenguaje:	English
Publicado:	Universidad Católica Silva Henríquez 2016
Materias:	rhythm icon self-reference perceptual judgement Charles S. Peirce
Acceso en línea:	http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0716-58112016000100015
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spelling	oai:scielo:S0716-581120160001000152016-07-04Rhythm as iconic self reference: a brief definition and some possible consequencesMazzucchelli,Aldo rhythm icon self-reference perceptual judgement Charles S. Peirce This paper's main goal is to show that rhythm can be defined and understood, in Peircean terminology, as iconic self-reference. This bears the immediate consequence that rhythm offers a way of -temporarily- escaping the process of unlimited semiosis (CP 2,303; 2,92). Within rhythm, iconic self-reference may create a recurrency of likenesses, suspending further reference to any third element external to rhythm. This paper will argue that some well known cognitive and emotional consequences of rhythm stem from this phenomenon, as semiotically defined here. In order to maintain consistency, I set a Peircean theoretical framework for this paper.info:eu-repo/semantics/openAccessUniversidad Católica Silva HenríquezLiteratura y lingüística n.33 20162016-01-01text/htmlhttp://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0716-58112016000100015en10.4067/S0716-58112016000100015
institution	Scielo Chile
collection	Scielo Chile
language	English
topic	rhythm icon self-reference perceptual judgement Charles S. Peirce
spellingShingle	rhythm icon self-reference perceptual judgement Charles S. Peirce Mazzucchelli,Aldo Rhythm as iconic self reference: a brief definition and some possible consequences
description	This paper's main goal is to show that rhythm can be defined and understood, in Peircean terminology, as iconic self-reference. This bears the immediate consequence that rhythm offers a way of -temporarily- escaping the process of unlimited semiosis (CP 2,303; 2,92). Within rhythm, iconic self-reference may create a recurrency of likenesses, suspending further reference to any third element external to rhythm. This paper will argue that some well known cognitive and emotional consequences of rhythm stem from this phenomenon, as semiotically defined here. In order to maintain consistency, I set a Peircean theoretical framework for this paper.
author	Mazzucchelli,Aldo
author_facet	Mazzucchelli,Aldo
author_sort	Mazzucchelli,Aldo
title	Rhythm as iconic self reference: a brief definition and some possible consequences
title_short	Rhythm as iconic self reference: a brief definition and some possible consequences
title_full	Rhythm as iconic self reference: a brief definition and some possible consequences
title_fullStr	Rhythm as iconic self reference: a brief definition and some possible consequences
title_full_unstemmed	Rhythm as iconic self reference: a brief definition and some possible consequences
title_sort	rhythm as iconic self reference: a brief definition and some possible consequences
publisher	Universidad Católica Silva Henríquez
publishDate	2016
url	http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0716-58112016000100015
work_keys_str_mv	AT mazzucchellialdo rhythmasiconicselfreferenceabriefdefinitionandsomepossibleconsequences
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Rhythm as iconic self reference: a brief definition and some possible consequences

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