Associations for Disruptiveness: The Pirate Bay vs. Spotify

Most studies on disruptive innovations adopt technology-centric assumptions when explaining how industries are affected by a technology's creative destruction. This paper argues that the power of a technology lies in how it performatively associates with the cultural and social norms of the wid...

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Autores principales: Remneland Wikhamn,Bjorn, Knights,David
Lenguaje:English
Publicado: Universidad Alberto Hurtado. Facultad de Economía y Negocios 2016
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Acceso en línea:http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-27242016000300005
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spelling oai:scielo:S0718-272420160003000052016-11-11Associations for Disruptiveness: The Pirate Bay vs. SpotifyRemneland Wikhamn,BjornKnights,David Innovation disruptive technologies discontinuous innovation radical innovation digitalization translation Actor Network Theory music industry Spotify The Pirate Bay Most studies on disruptive innovations adopt technology-centric assumptions when explaining how industries are affected by a technology's creative destruction. This paper argues that the power of a technology lies in how it performatively associates with the cultural and social norms of the wider society. Hence, a technology is not disruptive or sustaining in itself but is potentially a productive outcome of network linkages with other social and material elements. To illustrate this claim, two digital music services will be analyzed, respectively a misfit and a maverick both challenging mainstream providers of music - The Pirate Bay and Spotify - in relation to each other and how they are positioned toward the transformation of the music industry as a whole.info:eu-repo/semantics/openAccessUniversidad Alberto Hurtado. Facultad de Economía y NegociosJournal of technology management & innovation v.11 n.3 20162016-01-01text/htmlhttp://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-27242016000300005en10.4067/S0718-27242016000300005
institution Scielo Chile
collection Scielo Chile
language English
topic Innovation
disruptive technologies
discontinuous innovation
radical innovation
digitalization
translation
Actor Network Theory
music industry
Spotify
The Pirate Bay
spellingShingle Innovation
disruptive technologies
discontinuous innovation
radical innovation
digitalization
translation
Actor Network Theory
music industry
Spotify
The Pirate Bay
Remneland Wikhamn,Bjorn
Knights,David
Associations for Disruptiveness: The Pirate Bay vs. Spotify
description Most studies on disruptive innovations adopt technology-centric assumptions when explaining how industries are affected by a technology's creative destruction. This paper argues that the power of a technology lies in how it performatively associates with the cultural and social norms of the wider society. Hence, a technology is not disruptive or sustaining in itself but is potentially a productive outcome of network linkages with other social and material elements. To illustrate this claim, two digital music services will be analyzed, respectively a misfit and a maverick both challenging mainstream providers of music - The Pirate Bay and Spotify - in relation to each other and how they are positioned toward the transformation of the music industry as a whole.
author Remneland Wikhamn,Bjorn
Knights,David
author_facet Remneland Wikhamn,Bjorn
Knights,David
author_sort Remneland Wikhamn,Bjorn
title Associations for Disruptiveness: The Pirate Bay vs. Spotify
title_short Associations for Disruptiveness: The Pirate Bay vs. Spotify
title_full Associations for Disruptiveness: The Pirate Bay vs. Spotify
title_fullStr Associations for Disruptiveness: The Pirate Bay vs. Spotify
title_full_unstemmed Associations for Disruptiveness: The Pirate Bay vs. Spotify
title_sort associations for disruptiveness: the pirate bay vs. spotify
publisher Universidad Alberto Hurtado. Facultad de Economía y Negocios
publishDate 2016
url http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-27242016000300005
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